Winter 2011 TCA Press Tour: Top 13 Quotes from Day 8

No proper panels today, but we did a heck of a lot of driving around. It was TCA Day, which meant that we went to this studio and that, visiting the sets of various shows and meeting their casts and creators. It started bright and early with trips to “Lopez Tonight” and “Conan,” then it was over to 20th Century Fox, where we were treated to panels featuring stars from “Glee,” “How I Met Your Mother,” “Raising Hope,” and “Modern Family,” divided up into men and women, with Jimmy Kimmel moderating the panel for the guys. After that, we hit the sets of “Cougar Town,” “Parks & Recreation,” and “Criminal Minds: Suspect Behavior.” Good times all around, especially for someone like me, who lives in Virginia and rarely gets to enjoy these kinds of experiences. After that, I headed over to the Vanguard for the taping of two episodes of Season 2 of “The Green Room with Paul Provenza,” which was phenomenal. How can you go wrong with an evening that includes appearances from Ron White, Kathleen Madigan, Lewis Black, Margaret Cho, Richard Lewis, Jeffrey Ross, and others? Can’t wait to see the final cut of the episode. (They run 30 minutes, but the taping’s more like an hour and a half.)

But I know, you’re wondering, “Why 13 quotes?” It’s a weird number, so it’s a valid question. Originally, it was going to be 15 quotes, but for reasons unknown to me, we have yet to receive a transcription from our trip to the “Parks & Recreation” set, which contained at least two more solid quotes. Oh, well.

1. “I’ve said it before and I sincerely mean it, in the modern landscape of television there is only a few ways to stay on TV, and one of them is to be, you know, lucky as shit and have a huge giant hit, and everybody in the world watches you, and the other is to cultivate a loyal and hopefully intelligent audience that follows you around, and that is in no great part due to people that champion the show if they like it. First and foremost, I wanted to say that for those of you that don’t like the show, fuck you guys. But those of you who have really taken the time to champion the show and write about it and say nice things, I’m grateful. It’s not just for ego reasons, in this day and age it really means something.” – Bill Lawrence, “Cougar Town” (ABC)

2. “On April Fools’, I was talking to Usher, and I said, ‘You have three kids.’ He said, ‘No, I don’t.’ I said, ‘Yeah.’ He goes, ‘No, I don’t. Don’t you have research people that tell you?’ I mean, and he looks at the audience, and he says, ‘You would think that a host would do his research and know facts about a guest before he asks a question.’ And then he said, ‘April Fool’s.’ He got me, yeah.” – George Lopez, “Lopez Tonight” (TBS)

3. “I’ve never considered myself particularly interested in media. I mean, I’m someone who likes to come in and do my job, and then I like to go home and play with my kids. I wasn’t used to being a media story. It was never a goal of mine. So the strangest thing about immediately after the (end of ‘The Tonight Show’) was my wife decided the next morning, early on, we should just drive up to Santa Barbara and check into a hotel and decompress for three days because she thought this guy needs to decompress. He needs to. So we got up really early in the morning. We got in our car, and we pulled out of our house, and two cars followed right in behind us and followed us all the way to Santa Barbara and then just hung outside the hotel for three days. And, you know, I’m not Brad Pitt. I’m not George Clooney. You know, I’ve been blessed with their DNA, but I just thought, ‘Who are they following?’ So that was weird.

“And there were a lot of highs. I walked into a restaurant that day, and everybody in the restaurant applauded. And I thought, ‘Well, that’s nice. This is weird. And, also, this isn’t a living. I don’t see how to do this as a job, walk around and get applauded in restaurants.’ So there was an initial sort of high, but then I went back to my house, and we had a lot of stuff to figure out. And one of the first things I did was…you know, this show and these shows have been the organizing principle of my life for such a long time that I thought, ‘I’ve got to call my assistant and get to work.’ So I called my assistant, Sona, and I said, ‘We should get together and go over all of the things we need to do.’ And she said, ‘Okay. Where?’ And my wife wanted me out of the house, and so I said, ‘Okay,’ and we decided to meet at a Marie Callender’s pie restaurant.

“I’m not kidding. I hosted ‘The Tonight Show.’ I think the last show was a Friday. I hosted that ‘Tonight Show’ on a Friday, and on Monday, I’m in a Marie Callender’s pie restaurant, and my assistant has a laptop, and we are sitting there. And there’s two other customers in the place, you know, stabbing at a pie at 11:00 in the morning, and this was now my new headquarters. And I pass this Marie Callender’s a lot, and I think about that shocking…I mean, it was just the juxtaposition of these insane images of ‘Tonight Show,’ iconic, Marie Callender’s restaurant, meeting / office. This is where I work now. And that kind of summed up the madness, I think, a little bit of that time.” – Conan O’Brien, “Conan” (TBS)

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Red Carpet Chatter: Mike Nichols Gets His AFI Lifetime Achievement Award

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Born in 1931 in what was very soon to become Hitler’s Germany, young Michael Peschkowsky was living in Manhattan by 1939. It was great luck both for the future Mike Nichols and for the country that accepted him.

Nichols is, of course, one of the most respected directors in Hollywood, and for good reason. He’s the original, craftsmanlike, and emotionally astute directorial voice responsible for such sixties and seventies classics as “Who’s Afraid of Virginia Woolf?,”  “Carnal Knowledge” and, of course, “The Graduate” (the source of his only directorial Oscar so far) as well as such eighties, nineties, and oughts successes as “Silkwood,” “Working Girl,” “The Birdcage,” and “Closer.” Even if some of the later films are not on the same level of quality as his earlier films — and several, especially his 1988 box office hit, “Working Girl,” stray into mediocrity — it’s still one of the most impressive and diverse careers of any living director in Hollywood.

That’s just on the big screen. On television, Nichols has rebounded in the eyes of many critics, directing two of the most acclaimed television productions of the last decade, 2001’s “Wit” with Emma Thompson, and the outstanding 2005 miniseries adaptation of Tony Kushner’s brilliant and mammoth epic play, “Angels in America.” With his 80th birthday just a year and a half away, he’s still working hard with two thrillers movies planned, including an I’ll-believe-it-when-I-see-it remake of Akira Kurosawa’s “High and Low” currently being rewritten by the decidedly counter-intuitive choice of Chris Rock.

Before he directed his first foot of film, Mike Nichols was a noted theater director. That in itself is not so unusual a root for directors to travel. What is different is that, before he was a noted theater director, he was half of one of the most influential comedy teams in show business history, Nichols and May. (His comedy partner, Elaine May, went on to become an important, if less commercially successful, writer and director in her own right.)

Still, from the moment he directed his first major play, Neil Simon’s “Barefoot in the Park,” Nichols mostly abandoned performing. Today, his highly regarded early work is mostly known only to fairly hardcore comedy aficionados.

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Greetings to the New Season: CBS – UPDATED

Finally, things are starting to get interesting. CBS has released its schedule for Fall 2010, and, wow, talk about shaking things up. Thursday nights were already wreaking havoc on my viewing schedule, and now it’s only going to get worse. Check out what the network has done, see what they’ve added to their line-up (including behind-the-scenes videos), and be sure to leave your comments below!

MONDAY

8 – 8:30 PM: How I Met Your Mother

8:30 – 9 PM: Rules of Engagement

9 – 9:30 PM: Two and a Half Men

9:30 – 10 PM: Mike & Molly: a comedy from Chuck Lorre (“Two and a Half Men,” and “The Big Bang Theory”) about a working class Chicago couple who find love at an Overeaters Anonymous meeting. Officer Mike Biggs (Billy Gardell) is a good-hearted cop who sincerely wants to lose weight. Mike’s partner, Officer Carl McMillan (Reno Wilson), is a thin, fast-talking wise-guy, who despite his teasing encourages Mike on his road to slimness and romance. While speaking at an O.A. meeting, Mike meets Molly Flynn (Melissa McCarthy), an instantly likeable fourth-grade teacher with a healthy sense of humor about her curves.

For Molly, focusing on smart choices isn’t easy because she lives with her sexy older sister, Victoria (Katy Mixon), and their mother, Joyce (Swoosie Kurtz), both of whom flaunt their healthy appetites and slender figures. Mike also faces temptation at the diner he and Carl frequent, where they’ve become friends with the Senegalese waiter, Samuel (Nyambi Nyambi), who finds trying to eat less a foreign concept. For Mike and Molly, thanks to their mutual love of pie and the desire to resist it, finding each other may have been worth the “weight.” Chuck Lorre and Mark Roberts are executive producers.

10 – 11 PM: Hawaii Five-0: a contemporary take on the classic series about a new elite federalized task force whose mission is to wipe out the crime that washes up on the Islands’ sun-drenched beaches. Detective Steve McGarrett (Alex O’Loughlin), a decorated Naval officer turned cop, returns to Oahu to investigate his father’s murder and stays after Hawaii’s governor persuades him to head up the new team: his rules, her backing, no red tape and full blanket immunity to hunt down the biggest “game” in town.

Joining McGarrett is Detective Danny “Danno” Williams (Scott Caan), a newly relocated ex-New Jersey cop who prefers skyscrapers to the coastline but is committed to keeping the Islands safe for his 8-year-old daughter; and Chin Ho Kelly (Daniel Dae Kim), an ex-Honolulu Police Detective wrongly accused of corruption and relegated to a federal security patrol, who is also a former protégé of McGarrett’s father. Chin’s cousin, Kono (Grace Park), is a beautiful and fearless native, fresh out of the academy and eager to establish herself among the department’s elite. McGarrett vows to bring closure to his father’s case while the state’s brash new FIVE-0 unit, who may spar and jest among themselves, is determined to eliminate the seedy elements from the 50th state. Peter Lenkov, Alex Kurtzman and Roberto Orci are executive producers.

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CBS: The Fall Schedule

Well, I know at least one person who is beside herself about the news that Alex O’Loughlin is back on the airwaves, but I’m obviously happiest to get the confirmation that CBS did indeed decide to pick up “Medium” after NBC so rudely dumped it, giving it the most appropriate timeslot on their schedule (the post-“Ghost Whisperer” spot on Friday nights). Let’s look at the rest of the developments, shall we?

Monday

8:00 PM – How I Met Your Mother

8:30 PM – Accidentally On Purpose

A comedy starring Golden Globe Award winner Jenna Elfman as Billie, a single woman who finds herself “accidentally” pregnant after a one-night stand with a much younger guy, and decides to keep the baby… and the guy. A newspaper film critic, Billie is barely surviving a humiliating breakup with her charming boss, James (Grant Show), who’s still trying to resume their relationship. Suddenly expecting a child with her “boy toy,” Zack (Jon Foster), Billie and Zack make an arrangement: to live together platonically. Billie’s party girl best friend Olivia (Ashley Jensen), and Abby (Lennon Parham), her conventional, younger married sister, eagerly look forward to the new addition and offer their own brands of advice and encouragement. But when Zack and his freeloading friends, including Davis (Nicolas Wright), start to turn her place into a frat house, Billie isn’t sure if she’s living with a boyfriend, a roommate, or if she just has another child to raise.

9:00 PM – Two and a Half Men

9:30 PM – The Big Bang Theory

10:00 PM – CSI Miami

Tuesday

8:00 PM – NCIS

9:00 PM – NCIS: Los Angeles

A drama about the high stakes world of undercover surveillance at the Office of Special Projects (OSP), a division of NCIS that is charged with apprehending dangerous and elusive criminals that pose a threat to the nation’s security. By assuming false identities and utilizing the most advanced technology, this team of highly trained agents goes deep undercover, putting their lives on the line in the field to bring down their targets. Special Agent “G” Callen (Chris O’Donnell) is a chameleon who transforms himself into whomever he needs to be to infiltrate the criminal underworld. His partner is Special Agent Sam Hanna (LL Cool J), a former U.S. Navy SEAL who has seen action in both Afghanistan and Iraq, and a surveillance expert who uses state of the art monitoring equipment to look out for those in the field and feed them crucial information. Both Callen and Hanna report to Special Agent Lara Macy (Louise Lombard), the OSP team leader responsible for directing the operations and making life-or-death decisions. Assisting the team is Special Agent Kensi Lo (Daniela Ruah), the exceptionally bright daughter of a slain Marine who lives for the adrenalin rush that comes with undercover work, and Operational Psychologist Nate Getz (Peter Cambor), adept at getting into anybody’s head, profiling the target and monitoring agents’ states of mind before, during and after missions. Armed with the latest in high tech gear and sent regularly into life-threatening situations, this tight-knit team relies on each other to do what is necessary to protect national interests.

10:00 PM – The Good Wife

A drama starring Emmy Award winner Julianna Margulies as a wife and mother who must assume full responsibility for her family and re-enter the workforce after her husband’s very public sex and political corruption scandal lands him in jail. Pushing aside the betrayal and crushing public humiliation caused by her husband Peter (Chris Noth), Alicia Florrick (Margulies) starts over by pursuing her original career as a defense attorney. As a junior associate at a prestigious Chicago law firm, she joins her longtime friend, former law school classmate and firm partner Will Gardner (Josh Charles), who is interested to see how Alicia will perform after 13 years out of the courtroom. Alicia is grateful the firm’s top litigator, Diane Lockhart (Christine Baranski), offers to mentor her but discovers the offer has conditions and realizes she’s going to need to succeed on her own merit. Alicia’s main competition among the firm’s 20-something new recruits is Cary (Matt Czuchry), a recent Harvard grad who is affable on the surface, but will use any means to ensure that he, not Alicia, secures the one full-time associate position that’s available. Fortunately, Alicia finds an ally in Kalinda (Archie Panjabi), the firm’s tough in-house investigator. Gaining confidence every day, Alicia transforms herself from embarrassed politician’s scorned wife to resilient career woman, especially for the sake of providing a stable home for her children, 14-year-old Zach (Graham Phillips) and 13-year-old Grace (Makenzie Vega). For the first time in years, Alicia trades in her identity as the “good wife” and takes charge of her own destiny.

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A Chat with Mitch Pileggi

You may know him as FBI Assistant Director Walter Skinner on “The X-Files” or, more recently, you may have thrilled to his recurring role on “Stargate: Atlantis” as Col. Steven Caldwell, but either way, if you’re a sci-fi fan, you probably recognize the face of Mitch Pileggi. Pileggi’s resume is wide and varied – he’s recently popped up FX’s “Sons of Anarchy,” has turned up on CBS’s “CSI” and “Cold Case,” and was a regular on ABC’s short-lived (but thoroughly brilliant) “Daybreak” – but now it’s The CW’s turn. After a one-off turn on “Reaper,” Pileggi has found his way onto a flashback episode of “Supernatural,” playing Sam and Dean’s grandfather. We spoke to Pileggi in conjunction with the episode, which airs on Oct. 2nd, which gave him the opportunity to praise the cast of that show, speak to the variety of work he’s done, and stand bemused at people’s fondness for his 1989 cinematic collaboration with Wes Craven.

Stay tuned for…

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