Tag: Cold Case

A Chat with Anders Anderson and Andy Steinman (“Stolen”)

When you hear about a movie that stars Jon Hamm (“Mad Men”) and Josh Lucas (“Glory Road,” “Poseidon”) and fleshes out its ensemble with Morena Baccarin (“V,” “Firefly”), Michael Cudlitz (“Southland”), James Van Der Beek (“Dawson’s Creek”), and half a dozen other faces that are instantly recognizable from television and motion pictures, it’s hard not to get excited when you’re pitched the opportunity to speak with the director (Anders Anderson) and the cinematographer (Andy Steinman).

But what happens if, before you see the film, you read on the website RottenTomatoes.com that it’s actually earning the much dreaded 0% rating on the Tomatometer?

Well, if you’re me, then the first thing you do after that is actually watch the film yourself…and, personally, I liked it.

If I had to guess about the reason “Stolen” has received so many sneering reviews, it’s that it bears striking similarities to a couple of high-rated but critically snubbed police procedurals currently airing on network television. But, hey, I like those shows, and I also like the actors in “Stolen,” so if you’re of the same mindset, then you’ll probably like the film, too.

Still, before I got off the line with Messrs. Anderson and Steinman, I felt obliged to buckle up and ask them what they thought about the film’s Tomatometer rating….and, no, the line didn’t go dead immediately after I asked it.

Bullz-Eye: Hi, guys! Good to talk with you.

Anders Anderson: Hey, Will, how are you doing?

Andy Steinman: Hey, Will, nice to talk with you.

BE: Now, I hope you guys don’t mind if I ask you to identify yourselves before you answer questions, just because your voices sound kind of similar.

AA: Yeah, no problem.

AS: They’re actually quite different, but when you’re around someone that long, they start melding into one.

BE: (Laughs) That’s probably what it is. Well, I guess my first question is to ask how you guys first began your collaboration. Had you been friends prior to this project?

AA: Yeah, we had, but I’ll let Andy tell this tale. He’s told it many times.

AS: Yeah, we first met on a short in Santa Fe, NM, that Anders was acting and…I think you were producing it, too, yeah?

AA: Yeah.

AS: And I was a cinematographer, and I came out there, and we just clicked. Talking to him about whatever we had to do with the camera, talking to him about performance, talking to him about movies that we like, how to make the short the best it could be. We just kind of hit it off on what we wanted to do in our careers when we were done with this short, so we started talking about possibly forming a company and trying to do movies that we wanted to do. And it was just one of those things where we talked to each other and asked, “Well, what do we do next?” And the answer was always, “Well, we’ve got to make a feature.” And so we started talking about, “How do we make a feature? What do we do?” And we just started that process, step by step, of trying to get a movie made: pulling our resources and connections, however little they were, to try and get a feature off the ground. And we became friends all at the same time.

BE: So how did Glenn Taranto’s script cross your path? Did you know him, or was it pitched to you?

AS: We basically contacted everyone we knew. (Laughs) Friends, family, any type of business connection, and asked, “Does anyone know anyone who has a script? Does anyone have a script? We’re looking for material. We’re just looking for something that we can get behind.” And a production company that we’d worked with in the past basically said, “Here, we have a couple of scripts that we like. Why don’t you take a read?” And, lo and behold, Glenn’s script – which was originally called “Box in the Box” – showed up in front of us, and instantly we knew that something was there was that was a great vehicle to get actors, to get performers to be in our first film. Being first-timers, we knew that a lot of this had to be…we knew that we had to get some really good cast behind us to kind of help get the movie out there, and we thought that script would do that. So we just kind of took it and ran with it.

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CBS: The Fall Schedule

Well, I know at least one person who is beside herself about the news that Alex O’Loughlin is back on the airwaves, but I’m obviously happiest to get the confirmation that CBS did indeed decide to pick up “Medium” after NBC so rudely dumped it, giving it the most appropriate timeslot on their schedule (the post-“Ghost Whisperer” spot on Friday nights). Let’s look at the rest of the developments, shall we?

Monday

8:00 PM – How I Met Your Mother

8:30 PM – Accidentally On Purpose

A comedy starring Golden Globe Award winner Jenna Elfman as Billie, a single woman who finds herself “accidentally” pregnant after a one-night stand with a much younger guy, and decides to keep the baby… and the guy. A newspaper film critic, Billie is barely surviving a humiliating breakup with her charming boss, James (Grant Show), who’s still trying to resume their relationship. Suddenly expecting a child with her “boy toy,” Zack (Jon Foster), Billie and Zack make an arrangement: to live together platonically. Billie’s party girl best friend Olivia (Ashley Jensen), and Abby (Lennon Parham), her conventional, younger married sister, eagerly look forward to the new addition and offer their own brands of advice and encouragement. But when Zack and his freeloading friends, including Davis (Nicolas Wright), start to turn her place into a frat house, Billie isn’t sure if she’s living with a boyfriend, a roommate, or if she just has another child to raise.

9:00 PM – Two and a Half Men

9:30 PM – The Big Bang Theory

10:00 PM – CSI Miami

Tuesday

8:00 PM – NCIS

9:00 PM – NCIS: Los Angeles

A drama about the high stakes world of undercover surveillance at the Office of Special Projects (OSP), a division of NCIS that is charged with apprehending dangerous and elusive criminals that pose a threat to the nation’s security. By assuming false identities and utilizing the most advanced technology, this team of highly trained agents goes deep undercover, putting their lives on the line in the field to bring down their targets. Special Agent “G” Callen (Chris O’Donnell) is a chameleon who transforms himself into whomever he needs to be to infiltrate the criminal underworld. His partner is Special Agent Sam Hanna (LL Cool J), a former U.S. Navy SEAL who has seen action in both Afghanistan and Iraq, and a surveillance expert who uses state of the art monitoring equipment to look out for those in the field and feed them crucial information. Both Callen and Hanna report to Special Agent Lara Macy (Louise Lombard), the OSP team leader responsible for directing the operations and making life-or-death decisions. Assisting the team is Special Agent Kensi Lo (Daniela Ruah), the exceptionally bright daughter of a slain Marine who lives for the adrenalin rush that comes with undercover work, and Operational Psychologist Nate Getz (Peter Cambor), adept at getting into anybody’s head, profiling the target and monitoring agents’ states of mind before, during and after missions. Armed with the latest in high tech gear and sent regularly into life-threatening situations, this tight-knit team relies on each other to do what is necessary to protect national interests.

10:00 PM – The Good Wife

A drama starring Emmy Award winner Julianna Margulies as a wife and mother who must assume full responsibility for her family and re-enter the workforce after her husband’s very public sex and political corruption scandal lands him in jail. Pushing aside the betrayal and crushing public humiliation caused by her husband Peter (Chris Noth), Alicia Florrick (Margulies) starts over by pursuing her original career as a defense attorney. As a junior associate at a prestigious Chicago law firm, she joins her longtime friend, former law school classmate and firm partner Will Gardner (Josh Charles), who is interested to see how Alicia will perform after 13 years out of the courtroom. Alicia is grateful the firm’s top litigator, Diane Lockhart (Christine Baranski), offers to mentor her but discovers the offer has conditions and realizes she’s going to need to succeed on her own merit. Alicia’s main competition among the firm’s 20-something new recruits is Cary (Matt Czuchry), a recent Harvard grad who is affable on the surface, but will use any means to ensure that he, not Alicia, secures the one full-time associate position that’s available. Fortunately, Alicia finds an ally in Kalinda (Archie Panjabi), the firm’s tough in-house investigator. Gaining confidence every day, Alicia transforms herself from embarrassed politician’s scorned wife to resilient career woman, especially for the sake of providing a stable home for her children, 14-year-old Zach (Graham Phillips) and 13-year-old Grace (Makenzie Vega). For the first time in years, Alicia trades in her identity as the “good wife” and takes charge of her own destiny.

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