Regulars might have noticed a bit less movie news this week. Don’t worry, I won’t try to cover everything that happened in movieland this week tonight. Unfortunately, I have to start with three notable deaths.
* The saddest for me personally, and perhaps for some of you horror fans out there, is the most recent. Dan O’Bannon has died from Crohn’s Disease at age 63. Best known for the horror-comedy hit, “The Return of the Living Dead,” and for writing the screenplay for “Alien,” O’Bannon emerged out of U.S.C.’s film school with his friend, John Carpenter and together they collaborated on an odd science fiction comedy called “Dark Star.” While few remember that film, it set them both on a pretty interesting path.
When I was in the middle of high school and at the height of my geekness (three terms as president of the Venice High science fiction club!), I actually met O’Bannon in some odd circumstances at a crisis point in his career. Buy me a drink and I’ll tell you the story, but suffice it to say he seemed like a good guy and he was clearly something of a minor genius. He’ll be very much missed.
* Roy Disney, the nephew of Walt Disney and the son of Roy O. Disney, also passed on at age 79. The younger Disney emerged as a king-maker and king-breaker of sorts, launching insurgent movements that wound up putting Michael Eisner in charge of the studio in 1984 and then deposing him in 2004.
* Finally, if you’re a former film student like myself you’ve probably had to read some of the work of famed academic critic and scholar Robin Wood, who was so respected that almost no one noticed when serious film-criticism aficionado Joss Whedon named a supercool cool high school principal/cum monster-fighter after him on “Buffy.” (How could anyone namecheck him on a mere TV show? It had to be a coincidence.) One of the first critics to approach genre films seriously, he is famous for works on Alfred Hitchcock and Howard Hawks, among many others. He has passed on at age 78, and the always interesting Glenn Kenny has a remembrance.
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I’ll start with the facts on the Golden Globe movie nominations, which came out this morning, and move on to just a bit of opining about the awards themselves later on. (Will Harris has his thoughts on who should win among the television Golden Globe nominees down below.)
As the above indicates, Jason Reitman’s “Up in the Air” collected the most nominations from the awards given annually by the Hollywood Foreign Press Assocation (HFPA) with six nods. Just behind it was most of the other films that are emerging as this year’s awards usual suspects. The Broadway musical adaptation from director Rob Marshall, “Nine,” got five nominations; “Avatar,” and “Inglourious Basterds” received four nominations each. Following with three nominations were “The Hurt Locker,” “Invictus” and “Precious,” as well as two names that are somewhat new to this year’s awards sweepstakes, Tom Ford’s “A Single Man” and the upcoming star driven comedy from Nancy Myers, “It’s Complicated.” (Thanks to Nikki Finke, or her inevitably long-suffering assistant, for providing not only a complete list of nominations, but also a convenient awards tally not only by film, but also by studio and TV network.)
Neither “A Single Man” nor “Invictus” made the cut for “Best Picture – Drama.” Meryl Streep and Matt Damon both got two acting nominations, with Streep competing against herself in the “Best Actress – Comedy” category for “Julie & Julia” and “It’s Complicated.”
One factor that somewhat complicates covering the Globes is that they separate dramas from comedies and musicals. This year, “Up in the Air,” which bills itself as a “dramatic comedy” but which a lot of people seem to see as simply a mature and relatively low-key comedy with topical overtones, was nominated in the drama category. This prompted the AP (via MSNBC) to opine that the nomination in that category could give it more “weight” for the Oscars. I have to say that, while it’s so wrong in some many ways, there may be some truth to that and getting the meme out that the film is more drama than comedy might help Oscar voters to nominate it.
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Really not that much to say, except…
* Summit has acquired the North American rights to distribute “The Ghost Writer,” a political thriller starring Ewan McGregor and Pierce Brosnan. And why is this the top item? The director is Roman Polanski. Wait for this film to benefit from a lot of free publicity generated by people who think it’s wrong to see any movie in which someone involved with it once did a very bad thing. If you follow that rule, you’ll miss a lot of movies.
* Not too surprisingly, that report I mentioned on Wednesday that James Cameron‘s next movie is going to be an outer space redo or homage or what have you of The Seven Samurai was all wet. Instead, quoth the Playlist, he’s producing, but not directing, a remake of the not-so-great (at least as far as I can remember it) sixties sci-fi hit, “Fantastic Voyage.” It could work and will probably be at least a little bit fun in 3-D.
* Speaking of Cameron, it’s a bit weighted towards the geek press at this moment, but reviews have been leaking all over the place for “Avatar” and, guess what, the critics seem to think there’s something to the hype. At the very least the film is guaranteed to get a bunch of technical nominations and probably win them. Throw some Oscars into the marketing mix of James Cameron’s latest, and a genuinely gigantic hit with massive legs could brewing.
How long before the inevitable backlash? Well, Michael Phillips‘ review encompasses both frontlash and backlash. Putting on her critic hat, Anne Thompson writes a prose poem. She says all us cinephiles are going to have to see it multiple times. Well, I’m sure some of us will disagree there. Contrarians, skeptics, and extra-tough critics, start your engines.
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