Exclusive Clip — “Cemetery Junction”

It’s annoying but true: in the current blockbuster-driven film climate, an increasing number of films which are clearly worthy of a look are not even getting theatrical releases. You’d think that the directorial debut of the widely acclaimed team behind the original UK version of “The Office” and HBO’s outstanding “Extras,” not to mention “The Ricky Gervais Show,” would at least get a limited arthouse release in the good old U.S.A. The fact that Ricky Gervais has become a well-known figure here as a comic in his own right should help, even if his movies as a writer-actor have so far failed to set our world on fire. If even Gervais’s equally mirth-inducing but less well known professional partner, Stephen Merchant, were to wander into, say, a random Santa Monica or Hollywood-area coffee house, he might well be mobbed.

Nevertheless, the DVD of Gervais and Merchant’s cinematic directorial debut, “Cemetery Junction,” was released yesterday and we have, I’m told, an exclusive clip from the film. As you’ll see, this appears to be a slightly jaundiced coming-of-age comedy-drama in the mold of something like “Diner,” “American Graffiti,” Fellini’s “Il Vitelone,” and innumerable other nostalgic-yet-brittle films made in Britain and all over-the-world.  It stars young Christian Cooke as the requisite dissatisfied local, dividing his time between hanging out with his more complacent mates (Tom Hughes and Jack Doolan), a theoretically dead-end job selling life insurance (hey, that’s what my dad did!), and falling for the boss’s beautiful but engaged daughter (Felicity Jones). Supporting turns are filled by Ralph Fiennes, Emily Watson, Matthew Goode and, of course, Ricky Gervais. He just happens to appear in the rather amusing clip below.

  

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It’s your post MTV Movie Awards debacle movie news

Yes, isn’t it?

* Okay, so as I wrote in the post below, I felt slightly ill-used by the MTV Movie Awards PR apparatus. However, the question they asked Mrs. Lincoln remains: what did I think of the show? Well, when I finally watched it at home after a long drive home and an only-at-Universal-City-Walk possibility of following up a Pink’s chili dog w/sauerkruat with a Tommy’s Chili burger, I found it…okay. It was loud, vulgar — and not always in a good way — and it had excellent production values that the Oscars could learn from. I think I was as moved as everyone else by Dr. Ken Jeong’s speech about his wife’s former illness.

On the other hand, I could have done with less of the Tom Cruise dancing with Jennifer Lopez thing. The Les Grossman character was very funny, and definitely reminiscent of some real Hollywood characters, in the context of “Tropic Thunder,” but now it seems to have taken on an unneeded life of its own that is starting to creep me out and not in a funny way. But, once again, no one is listening to me and Cruise is talking about, Lord helps us, a Grossman movie. I’m starting to think he should talk more about Scientology.

Tom Cruise,Jennifer Lopez

As far as I what I felt about the actual awards and the movies and performances that were recognized…is there even the slightest point in complaining? I don’t think there’s any pretense that these awards are intended to honor good movies. Of course the “Twilight” movie was going to win. And I guess it’s somehow appropriate to know there’s at least one award Christoph Waltz just can’t get for playing Col. Hans Landa.

One thing that irked me slightly and then later amused me greatly, but not for the reason the MTV producers would have liked, was the much remarked upon proliferation of swear words. I use relatively few curse words for a modern-day American, but I’m not particularly opposed to them, especially when used in a clever or entertaining fashion. In the context of a show where the curses are to go out bleeped, however, more than one or two in a sentence can be a real problem for the audience at home that doesn’t hear it, and it really did bury many of the jokes in a volley of random silence.

Still, one comic highlight was Peter Facinelli’s acceptance speech on behalf of the rest of the “Twilight: New Moon” cast in which he apparently simply overwhelmed the person on the kill-switch with his deliberate carpet F-bombing, and several fuck-words made it through. It was a really funny moment that did not go on unnoticed by society’s killjoys who, just this once, weren’t completely in the wrong, I suppose.  I nevertheless believe that the religious fundamentalist-driven PTC should get a fucking life.

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