Hidden Netflix Gems – Sleeping Dogs Lie

Hidden Netflix Gems is a new feature designed to help readers answer that burning question, “What should I watch tonight?” It will be updated every Saturday before the sun goes down.

Bobcat Goldthwait’s second theatrical feature covers territory considered taboo even in pornography (and for good reason), but it does so with amazing tastefulness and sincerity. Let’s get this out the way right off the bat, just as the film does: Sleeping Dogs Lie is about a woman, Amy (Melinda Page Hamilton), who experimented in sexual relations with her dog while in college. This is not to say she regularly had sex with the animal – it was simply one act, on one occasion – and, as the title suggests, the film is really about the repercussions of her decision to share this information with her loved ones.

Amy is very seriously considering marrying her longtime boyfriend, John (Bryce Johnson), who believes that the couple should be completely honest and share all their secrets with one another. After initially hedging with a made-up story about sleeping with her friend Linda (Morgan Murphy), Amy finally decides to tell John her most mortifying secret. The timing couldn’t be worse, as they are at her parents’ home where John is meeting her family for the first time, but is there ever really a good time to hear something like that? Even more unfortunate for everyone involved, however, is that Amy’s troubled, meth-smoking brother, Dougie (Jack Plotnick), overhears the confession, and soon the truth is out to her parents (Geoff Pierson and Bonita Friedericy) as well.

The truly remarkable thing about this film is how tastefully and relatably such repugnant subject matter is handled. Though Amy has done an undeniably disgusting thing in her past, the film’s humor (which is every bit as good as its drama) is never truly at her expense, and there is never any question that we are meant to empathize with her every step of the way. Because of Hamilton’s exceptional, heartbreaking performance and Goldthwait’s intelligent, insightful screenplay, it is never difficult to do so, either. Like the inferior (but still interesting) Lars and the Real Girl, which sensitively explored a lonely man’s love affair with a realistic-looking sex doll, Sleeping Dogs Lie takes a subject that could easily have been mined for nothing but cheap laughs and, instead, uses it to express a profound truth about the human condition: sometimes it is better to lie to the ones you love.

  

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Fox: What’s New for Fall 2010

MONDAY

Lone Star (Mon., Sept. 20 @ 9:00 PM, Fox)

* The competition: “Dancing with the Stars” (ABC), “Two and a Half Men” and “Mike & Molly” (CBS), “The Event” (NBC), “Gossip Girl” (The CW)

Starring: James Wolk, Adrianne Palicki, Eloise Mumford, Bryce Johnson, Mark Deklin, Jon Voight, David Keith

Producers: Christopher Keyser (“Party of Five”), Amy Lippman (“In Treatment”), Kerry Kohansky and Paul Weitz (“American Dreamz,” “Nick & Nora’s Infinite Playlist”)

Network’s Description: a sophisticated and provocative drama set against the sprawling backdrop of big Texas oil, about a charismatic and brilliant schemer who has entangled himself in a deep, complex web from which he can’t break free. He’s caught between two very different lives and two very different women.

The Buzz: Critically, I feel like it’s tracking higher than anything else out there, but it’s a thinking man’s show and it’s on Fox. This is traditionally not a combination that equals ratings success…or a second season.

Pilot Highlight: Ostensibly, the money shot is supposed to be when we realize that Bob has two families, but since there’s no way Fox won’t give away the premise of the show in the commercials, then it’s his reaction during a backyard barbeque when he has an abrupt attack of guilt over the hurt his actions are going to cause.

Bottom Line: It’s an intriguing premise for a drama that takes a lot of interesting turns in its first hour, which is probably why it feels way more like an FX series than a Fox series. As such, it hhasn’t much hope to make it to the end of the season, let alone beyond…and that’s a real shame, because – drum roll, please – “Lone Star” is the best drama of the season.

TUESDAY

Raising Hope (Tues., Sept. 21 @ 9:00 PM, Fox)

* The competition: “Dancing with the Stars” (ABC), “NCIS: Los Angeles” (CBS), “The Biggest Loser” (NBC), “Life Unexpected” (The CW)

Starring: Lucas Neff, Martha Plimpton, Garret Dillahunt, Cloris Leachman. Shannon Woodward, Skyler Stone

Producers: Greg Garcia (“My Name Is Earl”), Kim Hamberg (“The Middle”

Network’s Description: a sweet, offbeat comedy which follows Jimmy Chance, a well-meaning screw-up trying his best to raise his infant daughter with the help of the eccentric family who did a less-than-stellar job of raising him.

The Buzz: Not that the competition is all that strong, but most critics have pegged this as the best comedy of the season. Plus, while having Cloris Leachman in the cast isn’t quite as impressive as, say, Betty White, it ain’t half bad, either.

Pilot Highlight: The moment when Jimmy learns a very valuable lesson about his daughter’s car seat. Hand on heart, it has probably been two years since I laughed so hard at a moment in a sitcom.

Bottom Line: The ghost of “My Name Is Earl” seriously haunts the show, but the pilot has several laugh-out-loud moments, and a baby allows for a new spin on the sweet-natured white-trash comedy in which Garcia specializes.

Running Wilde (Tues., Sept. 21 @ 9:30 PM, Fox)

* The competition: “Dancing with the Stars” (ABC), “NCIS: Los Angeles” (CBS), “The Biggest Loser” (NBC), “Life Unexpected” (The CW)

Starring: Will Arnett, Keri Russell, Stefania Owen, Peter Serafinowicz, Robert Michael Morris, Mel Rodriguez, David Cross

Producers: Mitch Hurwitz and Jim Vallely, (“Arrested Development”), Eric Tannenbaum and Kim Tannenbaum (“Two and a Half Men”), Peter Principato and Paul Young (“Reno 911”), Will Arnett

Network’s Description: a romantic comedy series in which a spoiled filthy rich playboy desperately tries to win the heart of his humanitarian childhood sweetheart by helping raise her 12-year-old daughter.

The Buzz: Pretty crappy the first time around, actually, and it didn’t take long for word to get back to the show’s producers. As I recall, there was some serious squirming going on when Arnett turned up to welcome critics to the Fox day of the TCA tour and asked us what we thought of it. For my part, I didn’t have to fake appreciation, as I kind of liked it…but, then, I even laughed at Arnett in “Let’s Go to Prison,” so take that opinion with a grain of salt. Still, they’ve switched things up a bit since then, adding David Cross to the mix as a recurring character, which certainly increases the show’s value for “Arrested Development” fans.

Pilot Highlight: Peter Serafinowicz successfully steals every scene he’s in (though we should probably give his horse part of the credit of that), but the moment when Arnett’s and Russell’s characters are reunited – pay attention to the music playing behind them, as it’s a payoff to an earlier joke – is both sweet and silly at the same time.

Bottom Line: Don’t get too excited about Cross’s contribution to the pilot (it plays exactly like the last-second addition that it was), but casting Arnett as a spoiled man-child of a character certainly finds him playing to his comedic strengths. “Running Wilde” isn’t going to a rash of “The ‘Arrested Development’ magic is back!” headlines, but if Hurwitz and Vallely can quickly find the balance between the sweet / silly vibe that pops up in the scenes when the Arnett / Russell relationship is the focus and the poor-little-rich-boy aspect of Arnett’s character, things could start looking up.

  

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