Monday movie news

The Deadline crew has really been working overtime these last few days, so there’s much to talk about as a new week begins.

* I’m not kidding about the pace of news from Deadline today. Just as I was starting to finish writing this, Mike Fleming broke the news that we have a “Superman” director who’ll be working with producer Christopher Nolan, and he is one Zack Snyder of “300,” “Watchmen,’ the “Dawn of the Dead” remake and that owl movie that’s out right now. Expect a fightin’ Supes. Should you expect a good Supes movie? Dunno. I never understood the grief that “Superman Returns” got. It was a nice, fun movie in the best senses of the words “nice” and “fun.” Will this one be all grimness and unnecessary darkness? I hope not.

*  Fox landed the film adaptation rights for apparently the hottest book of the moment, Abraham Lincoln: Vampire Hunter which is being produced by Tim Burton and directed by Timur Bekmanbetov (“Night Watch,” “Wanted“), who purchased the rights with their own money. And it’s not like they were afraid to show they really wanted it:

When Tim and Timur and their entourage of reps came to the Fox…they were met with a huge banner at the gate. It had the title treatment of the script and was emblazoned, “Tim Burton and Timur Bekmambetov present Abraham Lincoln: Vampire Hunter”. At their parking spot were signs saying “Parking For Vampire Hunters Only: park at your own risk,” and so forth. There were bloody footprints lining the walkway and stairs leading from their cars to the meeting in Building 88 with images from the book and lines from the script. As if that were not enough, there also were bloody axes strewn about, and a bugle player in a Confederate uniform playing “Taps” as the filmmakers walked to the meeting..

Yes, like Camelot, Hollywood is a silly place, and I sort of like it that way. I just wished I enjoyed Bekmambetov’s movies, because I didn’t.

* Re: silliness. Check out this promotion for “Jackass 3D”

* I seriously dislike writing about stories that say that so-and-so is “about to be” “offered” a part. There are simply too many items like that and too many “ifs” (maybe the studio will change their minds; maybe the star will say “no,” etc.) and I prefer to wait until the story is further down the road. Nevertheless, Mike Fleming has reported that Emma Stone is about to be offered the part of Mary Jane Watson in the Marc Webb-directed 3D “Spiderman” reboot opposite Andrew Garfield.

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You want a violent movie trailer? I’ve got two.

I’m still a bit busy and distracted by various matters including the ongoing Los Angeles Film Fest and last night’s L.A. premiere of “Animal Kingdom,” an ultra-neo-noir Aussie crime drama/suspense film that’s a bit dour for my taste but which boasts some outstanding performances and characterization, and a dynamite third act that my mind is still reeling from. Nevertheless, I’ve got a couple of trailers here that promise some fairly provocative manners of death dealing of the more frivolous and, perhaps, fun variety. We’ll start with the Red Band trailer for “Predators” for the wanton monster bloodshed and destruction you demand and the F-word you expect. H/t Den of Geek.

Via Cinemablend, and on a somewhat higher plane — because how can the sight of Dame Helen Mirren wielding a machine and blowing shit up not be on a very high plane indeed — comes the non-superhero comic book adaptation “RED,” as in “Retired, extremely dangerous.” Yep, it’s the action movie first-wave baby boomers have all been waiting for. It’s also got Morgan Freeman, the beautiful Mary Louise Parker, an excessively MK-Ultra‘d John Malkovich, and some other bald dude from the eighties.

Did you know that a quite young Helen Mirren might have been the first actress to appear nude in a mainstream studio film, 1969’s “Age of Consent,” directed by Michael Powell? I just felt like mentioning that.

  

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It’s time for another end of week movie news dump. Yay.

Yup, with Cannes going on and the early-early summer movie season happening, things are hopping.

* Nikkie Finke broke the news this morning of the latest chapter in the never-ending tale of the battle over the rights to the character of “Superman.” It seems DC is countersuing lawyer Marc Toberoff on the grounds of conflict of interest. Sure does sound like “hardball” but that’s what happens when millions of dollars are at stake.

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* It never ends. It just never, ever ends. A new alleged victim has come forward claiming that Roman Polanski raped her during the eighties when she was sixteen. (The terms used in the article are “sexually abused” in “the worst possible way” — I have no clue how that could not be rape, at the very least, if true). The woman is being represented by, naturally, Gloria Allred.

At this time, there’s no corroborating evidence beyond the charges. If there is, I think it’s curtains for Polanski and he’ll find himself suddenly and justifiably all-but friendless in Hollywood. It’s one thing to have one extremely nasty episode in your past, it’s quite another to be a serial sexual predator.

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A movie for manly men who are male: “The Expendables”

Rob Bricken of Topless Robot (over)shares that this gave him an “action movie boner.” Not one to be outdone, AICN’s Merrick promises a “Mangasm.”

Whats making geek bloggers make with the Freudian/homoerotic badinage?

Well, apparently working on the logic that big male stars, including action stars, aren’t necessarily driving huge numbers into the movie theaters, Lionsgate is taking a safety-in-numbers approach. Which established and once-established super macho-stars, both super- and not-so-super, appear in “The Expendables”? It might be easier to list who doesn’t — though the bald guy and the wildly unpopular governor are cameos, I think. What weapons and forms of fighting, do they use and how many people will they kill? I didn’t see any boomerangs or gymkata in the trailer, and I’m still alive, but other than that, it’s hard to be sure. Just take a look.

I’m thinking Detective Batista from “Dexter” is going to learn he chose the wrong day to go into the power-mad Latin American dictator business.

  

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“Shutter Island,” “Cop Out,” and “The Crazies” mine money from mayhem for an R-rated weekend

Pretty much everything happened this weekend the way it was supposed to. As discussed here late Thursday (or very early Friday if you’re on the East Coast), Martin Scorsese‘s cop-psychological thriller starring Leonardo DiCaprio, “Shutter Island,” was expected to come in at the #1 spot after having a drop of something in the 50% range. Meanwhile, the new Kevin Smith-directed Bruce Willis/Tracy Morgan buddy-cop comedy, “Cop Out,” and the quasi-zombie horror remake, “The Crazies,” were supposed to fight it out for the #2 spot and do reasonably well. That’s precisely what happened.

As per the filmic bean coutners of Box Office Mojo,  “Shutter Island” suffered only a lower-than-usual 45.9% drop. It therefore stayed on-top with a healthy estimated $22.2 million for Paramount, which won’t hurt the Scorsese/DiCaprio brand any.

Tracey Morgan and Bruce Willis I thought “Cop Out” was, at heart, a moderately lousy movie but also had to admit to almost kind of enjoying a lot of it. That was a rave compared to most critics. Still, as I suspected, the movie delivered the cop comedy goods just enough to keep audiences coming  and it netted Warners a perfectly acceptable estimated $18.5 million in the #2 spot for a modestly budgeted ($30 miillion) comedy.

“The Crazies,” which actually got its share of decent reviews, scored a solid estimate of $16.5 for the weekend for Overture. That’s actually a bit better than it sounds for the George A. Romero remake, because it was in nearly 500 fewer theaters than “Cop Out” and its per screen was average was nearly $700 higher than the comedy. Also, with stars Timothy Olyphant and Radha Mitchell presumably asking less upfront than Morgan and Willis, it’s budget was $10 million cheaper.

The highest per screen average this week was, as usual, for a limited release film. Still, considering that it expanded this week from four to 43 theaters this weekend and managed a really good $20,233 per screen, Roman Polanski’s political thiller, “The Ghost Writer” did very well for itself.

As for poor little “Avatar” it made only a measly $14 million estimated this week in the #4 spot. But do not cry for the Na’vi, it’s still on top in the international box office sweepstakes. Nor should you shed tears for Hollywood overall. As Nikki Finke points out, revenue is up, even if attendance is just a tad down.

http://www.bullz-eye.com/mguide/reviews_2009/avatar.htm

  

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