“The Newsroom” will end after its third season

Olivia Munn newsroom09

“The Newsroom” has been an excellent show on HBO for its first two seasons, but unfortunately this drama from Aaron Sorkin will end this year with its third season being its last. Jeff Daniels was excellent on this show winning an Emmy for his performance. Bullz-Eye.com recently named star Olivia Munn as one of the 30 sexiest TV actresses from 2013, and had “The Newsroom” ranked as the 5th best show on TV.

Perhaps Sorkin decided not to push for more season, but it’s disappointing that this one will end.

Meanwhile, “Boardwalk Empire” will also have its last season this year, but that show tailed off after the first couple of seasons.

  

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2010 Year End TV Review: Will Harris

You’d think it’d be easy for me to pull together a “Best TV of 2010” list, given that I’ve attended two TCA press tours (one in the winter, one in the summer), participated in two editions of Bullz-Eye’s TV Power Rankings (one in the spring, one in the fall), and pulled together the site’s annual Fall TV Preview, but damned if that doesn’t somehow make the task harder. Nobody likes to feel like they’re repeating themselves, and given that there’s going to be some inevitable content crossover between all of these various pieces, I often find myself bouncing back and forth between all of these features, wondering if I’m subconsciously recycling a particularly nice choice of phrase. Hopefully, I’ve managed to make this sound at least somewhat original, but if for some reason you feel I’ve failed at that endeavor, please, for God’s sake, don’t take it out on the shows. It’s not their fault, and they shouldn’t be held accountable for my lack of creativity.

Oh, and one other note: in a further effort to avoid conceptual duplication, I’ve only written about each show once, so if you see a show’s title without anything written beside it, look back and you’ll find where I’ve already written about it. That, or I screwed up. Either’s possible, really. (I’m only human, after all.)

Best Shows to Come and Go within 2010

1. Terriers (FX) – It’s a testament to the quality of “Terriers” that FX president John Landgraf held a teleconference with journalists after breaking the news of the series’ cancellation in order to explain his actions, but I don’t think anyone really blamed the guy, anyway: the show’s ratings were as deplorable as the writing was phenomenal. Between the awful ad campaign for the show (no, it wasn’t about dogs) and the fact that many of the viewers who did tune in were kind of bummed out by too-real character traits and developments like alcoholism, infidelity, divorce, and mental illness, it’s not a surprise that it wasn’t a huge hit. But that doesn’t make it any less depressing.
2. Lone Star (Fox) – I’d like to think that this “Dallas”-esque series about a con man leading two lives would’ve been battling with “Terriers” for the top spot if only Fox hadn’t canceled it after only two episodes…but, then, if they can’t canceled it after only two episodes, then maybe viewers might’ve embraced “Lone Star” enough that it wouldn’t have been canceled at all. Oh, wait, never mind, I forgot: it was on Fox, so it probably still would’ve been canceled, anyway. Even so, Kyle Killen provided an intriguing concept and delivered it with the help of a top-notch cast. It’s just a shame we didn’t get to see more of it.

3. Warren the Ape (MTV) – So falls another network effort by one of our favorite fabricated Americans. Greg the Bunny couldn’t keep a show alive on either Fox or IFC, but it really seemed like a given that the shenanigans of Warren the Ape were tailor-made for MTV viewers. Not so, apparently. Frankly, the whole thing smacks of anti-puppetism. Warren himself has conceded that “fabricated Americans still have a very long way to go in this country, and I think it’s always going to be an uphill battle.” How right he was.
4. Happy Town (ABC) – Note to ABC’s publicity department: while I appreciate your intentions when you underlined the comparisons between “Happy Town” and “Twin Peaks” with a giant Magic Marker, you have to expect that “Twin Peaks” fans are going to offer up their equivalent of the old “I knew Jack Kennedy” line. Yeah, I know, you only meant it as a point of reference, and you never intended to imply that the two series were on even creative footing, but try telling them that. For my part, I thought it was a creepy little sleeper of a show…but, unfortunately, the other five people who agreed with me weren’t enough to keep it on the air.

5. Sons of Tucson (Fox) – I’m still not quite sure what Fox was thinking by trying to slot this poor live-action sitcom into the midst of their otherwise-animated Sunday night line-up. Maybe they’d hoped it would instill viewers with a bit of nostalgia for the days of “Malcolm in the Middle,” given the similarity in feel between that show and “Tucson.” If so, the plan failed miserably. In a perfect world, the network would raise the series from the dead and team it with “Raising Hope.” Now that’s a double bill I could get behind.

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2010 Year End TV Review: Jason Zingale

It was an especially transformative year of television, at least for me, as my TV viewing diet underwent a bit of restructuring. Once-favorite shows began collecting dust on the DVR (sorry “Burn Notice,” but you’re losing your sizzle), and in the case of a few (like “Chuck”), were deleted altogether. Consequently, NBC’s “Community,” which spent most of its freshman season on the fringe of receiving similar treatment, is now the highlight of my Thursday nights. That’s because while shows like “Burn Notice” and “Chuck” are pretty much running on dead fumes at this point, “Community” has just begun to hit its groove. “How I Met Your Mother” also bounced back from an off-year with some of its funniest episodes to date, “Glee” and “Castle” continue to be as guilty as they are pleasurable, and the new season of “Top Chef” might just be the best yet. But none were able to crack my Top 5, which goes to prove that while there might have been a few misses this year, the hits were a lot more memorable.

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1. Terriers

Clever, funny, dark and provocative, “Terriers” may have wowed critics with its flawed characters and rich storytelling, but that didn’t change John Landgraf’s recent decision not to renew it for a second season. I don’t blame the FX President for the low ratings (most networks would have given up after only a few weeks), but I do blame the rest of America for failing to tune in to the best new show of the season. Yes, you heard right. Although I enjoyed “The Walking Dead” and the overrated “Boardwalk Empire,” the buddy detective drama delivered better acting and writing week in and week out. Donal Logue and Michael Raymond-James had unparalleled chemistry as the scrappy private investigators (the titular terriers, if you will) caught in the middle of the case of a lifetime, so it’s a shame that we won’t get to tag along on any of their further adventures – especially since the season finale left things wide open. Another brilliant but cancelled television show that, ten years from now, will still be missed.

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2. Modern Family

It hasn’t even completed its second season, but “Modern Family” already seems destined to become a comedy classic. It’s that good, and anyone who says otherwise should get an X-ray to see if their funny bone is broken. Of course, considering that it’s one of the most-watched shows on TV, you’d be hard-pressed to find anyone who doesn’t agree. But for those who still haven’t experienced the funniest half-hour of television, it’s about time that you do, because there isn’t a single show that even comes close to matching the number of laughs in an average episode. And although the writing staff certainly deserves some credit, it’s cast members like Ty Burrell, Ed O’Neill and Sofia Vergara who make every joke that much funnier. Even the kids are funny, and that’s saying a lot from someone who isn’t particularly fond of child actors. It’s almost unbelievable the way the show fires on all cylinders so consistently, but that’s what separates a great show from a good one, and “Modern Family” is nothing if not that.

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3. Sons of Anarchy

The third season of FX’s outlaw biker drama may not have been its best, but after a sluggish start, the series redeemed itself by getting back to the kind of top-notch storytelling that fans have come to expect. Many of those fans were quick to criticize the ambitious Ireland subplot that dominated most of the season, but along with fleshing out some of the club’s back story, it also set the stage for what turned out to be a killer finale. Many of the supporting players got lost in the background this year, but Charlie Hunnam gave the performance of his career, guest stars Paula Malcomson and James Cosmo proved themselves worthy additions to the cast, and Ally Walker put the finishing touches on what might just be the best TV villain in quite some time. The show may have stumbled a bit along the way, but no matter how you felt about the season as a whole, those who stuck around for the long haul were given plenty of incentive to come back next fall.

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Boardwalk Empire 1.12 – Life’s a Funny Proposition After All

Welcome, my friends, to the season finale of “Boardwalk Empire.” I really haven’t a clue how many of you there actually are, but given how few comments I’ve been getting, I have to figure that it isn’t a huge number. Still, I’ve been trudging ever onward, mostly because HBO has been kind enough to provide me with the episodes far enough in advance that I generally haven’t had to stay awake into the wee hours of Sunday evenings to finish up my blogs. Tonight, however, all of America’s TV critic stand on even footing, watching the finale at the same time as everyone else…or, in my case, slightly later. I was away on a brief vacation – except not really, since it was a trip that I’m going to end up writing about for Bullz-Eye, thereby making it a work-related excursion – and literally walked in the door just as the finale was kicking off, and it’s taken me ’til now (10:50 PM EST) to finally get myself wound down from my flight, grab a snack and a drink, and settle in to write.

When we first see Agent Van Alden this evening, he’s quoting St. Augustine. Moments later, he’s smacking the living shit out of a potential new recruit and lying about Agent Sepso’s cause of death, claiming it was a heart attack rather than, y’know, at Van Alden’s own hand. Clearly, he’s losing it…oh, who are we kidding? He lost it long ago. One presumes, however, that a certain part of him knows he’s losing it, as he’s decided to depart the bureau. I can’t see him getting away with having murdered Sepso, however. Not with all of those witnesses.

Nucky’s pretty pissed off about the current state of affairs in the mayoral race of Atlantic City, with the democratic candidate, Fletcher, poised to take home the victory. In asking his team – which includes Chalky White – to hunt up as many potential voters as possible for his candidate, Bader, Nucky’s seething with anger over the goings-on his personal life is palpable, and it doesn’t help that he’s being constantly told that his decision to remove Eli was a wrong one. Chalky admits, however, that Fletcher’s people have approached him in an attempt to get him to use his sway with his “people” and get them to vote for him. In truth, however, he says he’s only doing it for the money, that he’s really doing it for Nucky…particularly if he can get a little bit more money out of the deal. In addition to the money, Chalky wants a new car and an invitation to the new mayor’s victory party. Nucky said it’s tough to promise the latter, but Chalky calmly suggests it’s probably in both their best interests if he comes through.

Although she’s evacuated from the love nest provided to her by Nucky, Margaret and her kids are still in the general area, hanging out with Nan, mother of Warren Harding’s love child. Nan’s still quite naive, the poor thing, expecting to hear from Harding any day now. (Yeah, right…) As such, she can only offer Margaret a place to stay for a few more days, focusing on her future as a resident of the White House. In the meantime, Margaret keeps her chin up as best she can, baking a barn brack but clearly worrying a bit about her new friend’s state of mind.

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Boardwalk Empire 1.11 – Thou Hast Fulfilled the Judgment of the Wicked

At last, after several references to him during the course of the season, we finally get a first-hand look at Hardeen, brother of Houdini. His performance, while ostensibly impressive, receives little more than a yawn from Nucky. Margaret, meanwhile, is on the verge of offering a standing ovation. Harry and Annabelle are also in attendance, with Harry looking particularly nervous. He claims it’s because it makes him nervous to see Hardeen tied up. I’m skeptical. I don’t know what’s going on, but Harry’s clearly up to something…

Angela’s drifting off in thought while sitting at the dinner table, which really apparently pisses off Jimmy. Fair enough: he’s still smarting from the situation with the photographer, clearly distrusting his wife despite her assurances that she never slept with the man…which is true insofar as it goes, but let’s not go there right now. What’s more important is that he receives a phone call. It sounds like business, but he says it was his mother, letting him know that his father is dying. Given that Jimmy seemed to have viewed Nucky as a father figure when the season kicked off, I think it’s fair to say that the bond between him and his real father must be pretty weak.

Agents Van Alden and Sepso are enjoying a spot of Chinese when Van Alden unsurprisingly turns the topic of conversation to that of Sepso having killed Billy, and it’s not exactly what you’d call a polite dinnertime chat. Sepso maintains his cool, relatively speaking, but it’s clear that this won’t be the last time Van Alden brings up the matter.

The evening with Hardeen continues beyond his proper show, as he entertains the troops back at Nucky’s place. Once again, Margaret and Annabelle are enthralled, while Nucky shrugs and Harry sweats. It’s pretty funny to watch Hardeen play up his reputation even as he plays down his brother’s, but the fun stops when Harry explodes and at least explains why he’s been looking so sketchy all night: he’s lost a huge amount of money at the hands of one Charles Ponzi…and if the name sounds familiar, yes, he is the one who gave name to the so-called Ponzi Scheme, which most recently came to prominence via Bernie Madoff. So much for the relationship between Harry and Annabelle, eh?

Rothstein gets word from Chicago that things ain’t looking good for him with the whole Black Sox situation. His attorney suggests that he heads to Chi-Town, but to make sure he knows someone in the city who’s willing to do him a favor. Will it be Capone or Torrio?

No, The Commodore’s not dead yet, but you can’t blame his maid for fearing the worst. I mean, the guy’s already sick, and then his dog dies…? Talk about the kind of thing to send a guy into a tailspin. But, wait, who’s the Commodore’s guest? Jimmy?!? Wait a minute: Jimmy’s the Commodore’s son? Did we already know this? I’m pretty sure we didn’t. (Given the predilection of the majority of this blog’s few readers to only comment when they have a chance to criticize or complain, I can only presume someone will quickly confirm if I’m wrong.) Boy, Jimmy’s really pissed off that he’s had to make this visit, and it’s clear that he won’t miss his father when he’s gone. How else to explain the fact that, when the Commodore says he’s dying, Jimmy’s only response is to say, “Well, then, I will call you a priest.” Still, when the Commodore adds that the wrong person is running Atlantic City, it causes such mixed feelings in Jimmy that he promptly pukes. Still, I guess it would be a little confusing to realize that a man you’ve loathed for decades could well be the one who holds the key to the future you’ve been seeking.

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