Tag: Blame Canada

Another amazing recreation

It seems that barely two weeks ever go by without some ambitious neophyte filmmaker doing something kind of amazing when it comes to recreating or outdoing something we see in the movies. Via Keith Phipps and the Onion A.V. Club, below is a super-sweding of the opening musical number from Disney’s 1995’s “A Goofy Movie,” which not only have I never seen, I’ve forgotten even existed. It kind of takes the term “live action cartoon” to a new level.

Ted Sowards of Arizona, you’ve accomplished something. And for those who ask “why,” I say, “why does a man recreate a mountain?”

And, speaking of live-action recreations of scenes from nineties cartoon musicals, well, let’ s just say you never know what you’re going to come up with on YouTube and, courtesy of some talented folks from the Berklee College of Music, we have a very different recreation from a very different cartoon musical comedy.

Dude, Where’s My Oscar? Bullz-Eye revisits recent Academy Award “mistakes”

Dude, Where's My Oscar?

There are times when we swear that “Entertainment Weekly” has either bugged our office or is tapping into our conference calls. Numerous pieces of ours wind up on their pages at almost the exact same time, be it a list of the best sequels, cinematic stoners, or our long-gestating piece on the Bullz-Eye Fantasy Band Draft, which will drop later this year. They’ve even named their hot/not meter “The Bullseye.” Hmmm.

And sure enough, they scooped us once again, when they put the top awards from various Academy Awards results to a new vote, to see how the current Academy would fix the previous generation’s “mistakes.” We’ve been throwing that idea around for over a year, and just when we begin to put pen to paper: boom! — they beat us to the punch. We’re not at all surprised that they saw the appeal in such a topic; every year there is at least one head-scratching moment, one that usually owes more to awarding a long-overdue actor for their overall body of work than for the performance at hand (ahem, Al Pacino, “Scent of a Woman”). Enter Bullz-Eye, Mighty Mouse-style, to save the day and make sure justice is served. We’ve examined recent Academy Award winners and their competitors, and we found a few, um, irregularities. Revisionist history begins now.

Oscar Snubs

Elaine Benes summed up our feelings for “The English Patient” as well as anyone. Actually, that’s a tad unfair; we didn’t think “Patient” was awful, just long and, in the end, anti-climactic. Without Juliette Binoche carrying her co-stars from start to finish (her Oscar, unlike this one, was well deserved), we wonder if “Patient” would have received half the praise that it did. Then there’s “Fargo,” which featured invaluable contributions from its leads, the supporting cast, and even the characters who were only in a scene or two (Marge Gunderson’s Japanese high school classmate had us in tears). It’s funny, shocking, coy, and best of all, normal, an expertly crafted movie all the way around. Guess the Academy wasn’t quite ready for the Coen brothers yet.

Oscar Snubs

To be fair, this one isn’t a staff pick; it’s mine and mine alone. My colleague Jason Zingale loved “Crash,” as did most people. I, however, loathed it like no movie I’ve seen since “Shrek.” The manner in which people would instantly spew the most hateful, ignorant nonsense in scene after scene was just unbearable, and I wanted to throttle Sandra Bullock’s ridiculously underwritten shrew of a character. Granted, “Brokeback Mountain” is not a perfect movie by any stretch, but I’ll take it over “Crash” any day of the week and twice on Sunday for the sheer fact that it didn’t try to beat me into a coma about what a racist pig I am. Fuck you, Paul Haggis.

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