Rock and roll gender wars

More in my series of clips featuring fake bands from the movies inspired more or less by Aldous Snow and Infant Sorrow, the band in “Get Him to the Greek.”

As Roger Ebert notes in the DVD commentary to Russ Meyer’s “Beyond the Valley of the Dolls,” it was kind of progressive to make a movie about an all-female rock band in 1970. They were certainly rare as hens-teeth in real life untilĀ  several years later the Runaways, the Go-Gos, and finaly the Bangles broke the rock and roll gender barrier. I’m not sure how inspired any of them were were by the Carrie Nations, the fictional band in the film directed by Meyer and written by Roger Ebert, but this opening sure shows Meyer’s remarkable filmmaking approach and a hint of what kind of dialogue you can expect when you let a movie critic write a movie. (A later scene features the immortal words spoken by a Phil Spector-esque impressario: ‘This is my happening and it’s freaking me out.” That’s Ebert, baby.)

By 2001, of course, women in both real and cinematic rock bands were hardly unusual. On the other hand, there weren’t too many rock and roll band transsexuals, and there was just one victim of a botched sex change operation. Below, Hedwig and the Angry Inch explain the meaning of their name. It’s not necessarily an experience for the faint of heart, but it sure is rock and roll.

  

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