Best TV season since 2000

There are tons of “best of” lists out there, but this one from Cleveland.com about the 40 best TV seasons since 2000 is pretty good. They nailed it with some great selections like Season 4 of “The Wire” as the top season overall (sorry to spoil the suspense!). Fans will quibble about the best season from that amazing series, but Season 4 is certainly worthy of that honor.

They also focused on some great opening seasons from shows that eventually lost their way, like “Lost,” “House of Cards,” “Boardwalk Empire” and “True Blood.” They could have added season one of “Sons of Anarchy” to that list.

Check out the list and you’ll get some great binge-watching ideas.

  

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“Breaking Bad” resources

The best show on television returns tomorrow night at 10 PM on AMC. If you’re a fan of the show, enjoy the video above and all the links in this post as you get ready for the start of season 4. If you haven’t been watching, well you’re missing out. You can start watching tomorrow night, but you’re better of setting your DVR to record the first season, and getting your hands on the first three seasons.

The Breaking Bad Fan Hub on Bullz-Eye.com is a good place to start for fans of the show. The fan site is loaded with cast interviews, along with reviews of previous seasons and a link to the Breaking Bad Blog. Will Harris also posted a preview of Season 4.

Is “Breaking Bad” the best show ever on cable TV? Grantland’s Chuck Klosterman thinks so, arguing that it beats out other greats like “The Wire,” “The Sopranos” and “Mad Men.” It’s hard to argue with his top four, though his column gets a little too deep into criticspeak for my taste. I’ll probably stick with “The Wire” as the best show ever on cable, but “Breaking Bad” is catching up with each season.

Time calls it the best drama on television.

Breaking Bad is the kind of TV show that gets described as cinematic, and that’s true in the literal sense: it looks like a movie. The astonishing landscape of New Mexico gives the show a western-film starkness and scale. “When you’re here,” says cinematographer Michael Slovis, “you can’t help but be affected by the size of the sky.” The sets are painstakingly built, especially the superlab: a temple of gleaming metal tanks, painted infernal red, that production designer Mark Freeborn built with the aid of a Drug Enforcement Administration consultant. The lab, Cranston says, is a metaphor for Walt’s compartmentalized worldview: “It’s clean. It’s isolated. He doesn’t like being reminded that he’s part of a messy, bloody business.”

Last year in Time, James Poniewozik offered a nice recap of the last episode and the relationship between Walt and Jesse. Newsweek also gets in on the discussion with some great quotes from Bryan Cranston.

  

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