Will “Sex and the City 2” achieve the big $ on Memorial Day?

And will we writers run out of double entendres in describing whether or not the latest adventures of Carrie Bradshaw (Sarah Jessica Parker) and friends enjoys a satisfactory, long-lasting ticket-buying performance from their ardent audience or will it be just a case of “slam-bang-opening-weekend’s-over-ma’am?” Nope. Nor will the bad reviews “Sex and the City 2” has been getting significantly dampen the ardor of ticket buyers.

Sarah Jessica Parker and Chris Noth in

In fact, the film is already doing rather well, as it opened early to get a jump on the long Memorial Day weekend, making $3 million on Wednesday night/Thursday morning midnight shows for the R-rated comedy from Warner Brothers. Both jolly Carl DiOrio and Anne Thompson’s b.o. guy, Anthony D’Alessandro, are bullish. Jolly Carl is talking about $60 million. I have no clue except that every “Sex and the City” fan will want to see it — once, anyway.

Nevertheless, as someone who managed to avoid the original show almost completely, it is a bit of shock to see this kind of vituperation directed against a property that was once a well-reviewed award-winner. I wasn’t too surprised when the first film got mixed reviews, since the show did have more than it’s share of detractors, but the 14% “fresh” rating from Rotten Tomatoes critics as a whole, and devastating 7% from 26 “top critics” so far is a bit of a movie cold shower. The bad reviews even inspired a bottom 10 list at Salon. Matt Zoeller Seitz, like our own Jason Zingale, notes the film’s lengthy sequence in Abu Dabi — which he terms “product placement for a country” (even though it was shot elsewhere) and titles his review: “Ladies and Gentleman, THIS is Why They hate us.” That’s about as positive as his review gets. He’s almost loving compared to the brilliant review by Lindy West:

SATC2 takes everything that I hold dear as a woman and as a human—working hard, contributing to society, not being an entitled cunt like it’s my job—and rapes it to death with a stiletto that costs more than my car. It is 146 minutes long, which means that I entered the theater in the bloom of youth and emerged with a family of field mice living in my long, white mustache.

That one of the nicer parts. I suggest, no, I implore that you read every word.

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Monday movie news

Just a few items on a warm and sunny SoCal Ides of March…

* David Fincher is really keeping busy. I missed the story late Friday about him putting together a new movie iteration of “Heavy Metal.”

The first attempt to transpose the appeal of the legendary European-based anthology comic magazine is pretty much unwatchable these days — I know because I tried and failed to watch it at Comicon a couple of years back — but that’s all the more reason to give it another try I suppose. Considering that the late seventies and early eighties were pretty much the lowpoint of animation and the high end nature of this project, it pretty much has to be an improvement on most levels.

And that’s not all. Having taken on Facebook with Aaron Sorkin, another upcoming project may possibly involve an equally cinematic undertaking: chess.

fromrwl3

* With John Krasinski apparently out of the running for “The First Avenger: Captain America” (a title I’m not fond of, by the way), the Marvel gang has apparently adopted a “nobody excessively interesting” rule in its prospective casting. The latest name being floated: Ryan Phillipe. Still, he played effectively off of Chris Cooper in the highly underrated “Breach,” one of my favorite films of 2007, so perhaps he can do the same with Hugo Weaving here.

* Ben Kingsley and Sacha Baron Cohen are “in talks” to appear in Martin Scorsese’s ambitious, 3-D, meta-film, “The Invention of Hugo Cabret.”  As a Deadline commenter notes, this one appears to be DiCaprio-free, at last. Kingsley and Coehn could make an interesting buddy film.

* Tim Adler of Deadline|London thinks that the success of 3-D screenings of “Avatar” in Europe is funding the growth of digital movie theaters in Europe.

* I’ve said it before, but the career of director David Gordon Green fascinates me. He starts out like an American Vittorio De Sica by way of Terrence Malick with the neo-neo realist “George Washington,” and then transitions to stoner-frat comedies apparently spoofing eighties sword and sorcery flicks. Attention must be paid.

* If you really wanna know more about “penis trauma” and the MPAA ratings system

* Phrases like “penis trauma” aside, SXSW really does sound like the most fun of the festivals, doesn’t it?

  

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Gandhi wuz robbed!

So, in the wake of yesterday’s surprise announcement of the Nobel Peace Prize being awarded to Barack Obama, it occurs to me that while there are several movies about presidents, there are very few, if any, about Nobel Peace Prize winners. Martin Luther King was the subject of a TV movie, but that doesn’t quite cut it. Let’s face it, if there was a Nobel War Prize, there’d be tons of movies about those prize winners. War and other forms of mass murder are so full of dramatic tension! Think of how many movies there are about Hitler, General Custer, and Jack the Ripper there are…and those guys never won anything!

The one film that came immediately to mind, however, was Richard Attenborough’s 1982 “Gandhi.” It might have won some Oscars and ranked in the top 250 on IMDb, but few cinephiles types, myself included, think too highly of it, despite Ben Kingsley’s star-making performance — but it’s one. However, it turns out that despite being the 20th century’s poster boy for nonviolence, Mohandas Gandhi never actually won the famed prize.

Oh, well, as we await a movie about such heroes as Nelson Mandella (I think one may be in the works…and it’s about time), MLK, Aung San Suu Kyi, Lech Walesa or such “give them the award to help them stop it already” villains as Yassar Arafat or Henry Kissinger, here’s an idea for a movie whose time may have come.

  

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