Hidden Netflix Gems is a new feature designed to help readers answer that burning question, “What should I watch tonight?” It will be updated every Saturday before the sun goes down.
Writer-director Nicole Holofcener has been compared to the legendary Woody Allen because of her strong command of character and dialogue, not to mention the fact that her films tend to revolve around brainy people having trouble with their relationships, both romantic and familial. The comparison is apt and certainly not without foundation – Holofcener is the stepdaughter of Allen’s late producer Charles H. Joffe, and she found her first film industry work on Allen films such as Hannah and Her Sisters, on which she was an apprentice editor. However, despite their shared propensity for talky comedic dramas about New Yorkers who are sometimes a bit too smart for their own good, Holofcener’s films display a sensibility that is uniquely hers, as channeled through her favorite actor, Catherine Keener, who has appeared in all four of her films thus far.
Holofcener’s debut feature, Walking and Talking, takes a warm and insightful look at the mixed feelings of Amelia (Keener), a woman in her mid-30s whose longtime best friend, Laura (Anne Heche), is getting married. The news sends Amelia into a sort of “biological clock” crisis in which she confronts her conflicting desires to settle down and find happiness the way other women her age seem to be doing, while still wanting the relative freedom and ease of a single life. As she attempts to navigate this difficulty, she receives advice and moral support from Laura, her fiancée, Frank (Todd Field), and Amelia’s former lover and good friend, Andrew (Liev Schreiber), as well as a therapist (Joseph Siravo). Though she has been ambivalent at best about the prospect up until now, she finally decides to begin dating Bill (Kevin Corrigan), a video store clerk who has been flirting with her for some time now.
Walking and Talking is at its best in its portrayal of this courtship, with Amelia gradually realizing that the man who she has previously considered to be beneath her (she calls him “The Ugly Guy” when speaking of him to Laura and others) just might be a much better match for her than she thought, and in its portrayal of the friendship between Amelia and Andrew. It’s so rare in life to maintain a close, caring friendship with a former lover, but it does happen and, in my experience, it happens very much the way it is shown here. Their scenes together are especially warm and funny, but above all it is the dynamic between Amelia and Bill that makes this film rise above the average comedy. Far from being simply a geek or loser, as Amelia originally sees him, Bill is much smarter, funnier and deeper than she (or we, the audience) first assume; in fact, Amelia comes to realize that he just might be too good for her. Like Bill, Walking and Talking is much more than the sum of its parts, and well worth a look.