Bright and early this morning…by which we mean 8:40 AM EST / 5:40 AM PST…the nominees for the 62nd Primetime Emmy Awards were announced by Joel McHale (“Community,” “The Soup”) and Sofia Vergara (“Modern Family”). It ended up being a worthwhile gig for one of them, at least, with Vergara pulling in a Supporting Actress nod for “Modern Family.” Maybe that’s why McHale seemed so stone-faced. (Seriously, did someone tell McHale that he wasn’t getting paid if he didn’t keep his smart-assery in line ’til after the nominees were read? The only time he cracked anything approaching a joke was when he preempted Vergara’s mangling of Mariska Hargitay’s last name.) Anyway, here’s a list of who got the glory…and, in the case of Best Actress in a Drama, who got the shaft.
Outstanding Comedy Series:
* Curb Your Enthusiasm (HBO)
* Glee (Fox)
* Modern Family (ABC)
* Nurse Jackie (Showtime)
* The Office (NBC)
* 30 Rock (NBC)
My Pick: “Modern Family.” There’s no question that “Glee” is award-worthy, but not necessarily as a comedy, which is also where “Nurse Jackie” falters in this category. I feel like “The Office” and “30 Rock” coasted in on their past merits this year, but “Curb” got a huge boost from the “Seinfeld” storyline, so it’s the only real competition here. Still, the buzz on “Modern Family” is all over the place. I can’t imagine it won’t bring home the glory.
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As I settled in to watch TNT’s new series, “Men of a Certain Age,” starring Ray Romano, Andre Braugher, and Scott Bakula, I was struck by a thought: when’s the last time TV offered us an hour-long about guys that was just about guys? The last one that leaps immediately to my mind is ABC’s “Big Shots,” which came and went within the span of a few months in the fall of 2007, but that series springboarded off the premise that all four guys were CEOs. Not bad a concept, perhaps, but by upping the income bracket of the characters, you’re significantly cutting into the number of people who can relate to it. How about a series that’s just about average guys doing average guy things? When was the last time we got one of those?
Beats me, but we’ve got one now…and it’s good.
The press release for “Men of a Certain Age” kicks off with the classic John Lennon lyric, “Life is what happens when you’re busy making other plans,” and although it’s been quoted plenty of times, it’s decidedly apropos for this series, which explores the lives of three guys in their 40s – one single, one married, one separated and likely headed for divorce – as they begin to examine who they are, how they got where they are, how the future looks, and what they can do to change it. If the acknowledgment that there are indeed things in their lives that need changing sounds like a spoiler, think about your own life and consider whether or not there’s anything you might like to change about. If there isn’t, then I envy you, but I can’t say the same, and I seriously doubt if I know anyone who can. At the very least, none of these men of a certain age can’t.
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One thing I’ve always loved and admired about “House” is its ability to reinvent itself season after season, tweaking the formula just enough to keep things interesting. With the premiere of Season 6, however, what we’re given is a two-hour episode that throws away the format, offers only the briefest appearance by any other cast member, and is not only strong enough to warrant giving Hugh Laurie an Emmy nomination no matter what else he may do on the show during the course of the season’s subsequent episodes, but, indeed, could’ve been released as a theatrical film during the summer, a la “The X-Files: Fight the Future” from back in the day.
Seriously, it’s that good.
Season 6 of “House” kicks off where Season 5 of “House” left off: with its title character, Dr. Gregory House, within the walls of the Mayfield Psychiatric Hospital. The decision to enter Mayfield came via House himself, however, so as anyone who’s watched their fair share of medical dramas knows, that allows him the option to check himself out at any time…which, following an appropriately harsh opening sequence (set to Radiohead’s “No Surprises”) that details what he’s suffered through duriing his cleansing process, is exactly what he attempts to do.
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