Box Office Recap: Ted on Top, Numbers Surge Across the Board

Things are looking bright in Hollywood, and not just because of pre-holiday fireworks displays. Seth McFarlane’s “Ted” is sitting pretty on the top of the charts after grossing $54.1 million, which makes it the biggest weekend ever for an R-rated original comedy (it beat out “The Hangover’s” $44.98 million debut) as well as the eighth best R-rated debut ever. The film, which stars Mark Wahlberg, Mila Kunis, and McFarlane himself, is the “Family Guy” creator’s first foray into feature films (how ’bout that for for alliteration?), and its success has many wondering why it took studios so long to give McFarlane a chance at the helm of a Hollywood project.

But “Ted” wasn’t the only triumph at the box office, as numbers surged across the board. The weekend’s top 12 films raked in a combined total of approximately $197 million, the highest weekend total ever in the month of June.

So how do we account for all this success? Well, two other new releases, Steven Soderbergh’s male stripper dramedy “Magic Mike” and Tyler Perry’s “Madea’s Witness Protection” had some relatively massive openings of their own, exceeding expectations and coming in second and fourth place with $39 million and $25 million, respectively.

It shouldn’t be discounted that a good portion of the summer’s blockbusters have targeted younger audiences. Just look this weekend’s third and fifth place finishers, “Brave” and “Madagascar 3,” each debuted at number one. But after animated films have ruled the box office for three straight weeks, the simultaneously successful releases of the R-rated “Ted” and “Magic Mike” serve as a good reminder that adults go to the movies too, and not just to sit in the AC and keep the damn kids quiet for 90 minutes.

I’m pleased to say “Abraham Lincoln: Vampire Hunter” endured a larger than usual 63 percent slide this weekend, falling to sixth place and grossing just $6 million. The film’s now grossed a cumulative total of $29 million, and likely won’t make it past the $40 million mark, well below its budget of $69 million. Hopefully, studios will learn to leave our great historical figures alone from now on, unless Daniel Day-Lewis is playing them (“Lincoln” is scheduled for release in the fourth quarter of 2012), or at the very least to leave vampires out of the picture.

Meanwhile, Wes Anderson’sMoonrise Kingdom” came back into view after falling out of the top ten last weekend. The film finally saw a nationwide release, adding another 459 theaters, giving it a total of 854, and came in seventh place with just under $5 million.

The weekend’s soft release was “People Like Us,” a drama starring Chris Pine and Elizabeth Banks. Early estimates had the film in tenth place, but more recent reports show it falling into eleventh. “The Avengers” took its place, moving up to round out the top ten. It’s likely to be the last time we’ll see those particular superheros there, but comic book fans need not fear. Peter Parker’s being rebooted, “The Amazing Spider-Man” comes out on July 3.

Here are the results for this weekend’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume

1. Ted, 1/3,239, Universal, $54.1 million.
2. Magic Mike, 1/2,930, Warner Bros., $39.155 million.
3. Brave, 2/4,164, Buena Vista, $34.011 million, $131.685 million.
4. Tyler Perry’s Madea’s Witness Protection, 1/2,161, $26.35 million.
5. Madagascar 3, 4/3,715, Paramount/Dreamworks, $11.815 million, $180.012 million.
6. Abraham Lincoln: Vampire Hunter, 2/3,109, $6 million, $29.034 million.
7. Moonrise Kingdom, 6/854, Focus, $4.926 million, $18.406 million.
8. Prometheus, 4/1,951, Fox, $4.921 million, $118.262 million.
9. Snow White and the Huntsman, 5/2,337, Universal, $4.498 million, $145.591 million.
10. The Avengers, 9/1,757, Disney/Marvel Studios, $4.421 million, $606.505 million.

  

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Box Office Recap: Pixar ‘Braves’ its way to the top yet again

Nearly every review of Pixar’s “Brave” has been quick to point out that while the film is decent, it does not uphold the impossibly high standards the studio has set for itself. Indeed, ‘Brave” is one of just three Pixar films to earn a score of less than 90 percent on the Tomatometer. The picture currently stands at 74 percent. “Cars” earned the same rating while its sequel garnered an abysmal 38 percent.

That said, “Brave” had no trouble in the money making department, grossing $66.7 million in its opening weekend. That makes it Pixar’s fifth-best debut and perhaps more importantly, the number one movie in America.

But unfortunately for Fox Studios and Focus Features, the weekend’s other new releases didn’t fare nearly as well. The former’s “Abraham Lincoln: Vampire Hunter” came in third with $16.5 million, which in this blogger’s humble opinion is $16.5 million too much, while the latter’s “Seeking a Friend for the End of the World” found itself at the end of the charts, coming in tenth place with just $3.8 million. The indie production’s numbers are especially disappointing given its two big name stars in Steve Carell and Keira Knightley and the fact that it just barely beat out Focus’s other current release, Wes Anderson’sMoonrise Kingdom,” despite playing in 1,230 more theaters.

In between the two and ten spots, things remained largely static. “Prometheus” and “Rock of Ages” slid from last week’s second and third spots into fourth and fifth, respectively. Ridley Scott’s return to sci-fi grossed $10 million, while the troubled hair metal musical took in $8 million.

Among the weekend charts’ two fluctuations was the genre-mashing (or rather clashing) “Snow White and the Huntsman” hopping over “That’s my Boy,” which is in only its second week. “Snow White” slid back one spot into sixth place with $8 million, but inched past the Adam Sandler comedy by a mere $100,000. Likewise, “Men in Black 3,” which stands at ninth on the charts with $5.6 million, fell behind “The Avengers” for the first time since its release. The superhero flick came in the eighth after grossing $7 million.

Here are the results for this weekend’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume
1. Brave, 1/4,164, Buena Vista, $66.739 million.
2. Madagascar 3, 3/3,920, Paramount/Dreamworks, $20.2 million, $157.572 million.
3. Abraham Lincoln: Vampire Hunter, 1/3,108, $16.5 million.
4. Prometheus, 3/2,862, Fox, $10 million, $108.547 million.
5. Rock of Ages, 2/3,470, Warner Bros., $8 million, $28.763 million.
6. Snow White and the Huntsman, 4/2,919, Universal, $8 million, $137.1 million.
7. That’s My Boy, 5/3,030, Sony, $7.9 million, $28.18 million.
8. The Avengers, 8/2,230, Disney/Marvel Studios, $7.04 million, $598.3million.
9. Men in Black 3, 5/2,462, Sony, $5.6 million, $163.339 million.
10. Seeking a Friend for the End of the World, 1/1,625, Focus, $3.836 million.

  

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Box Office Preview: Blasphemy, Pre-apocalyptic Comedy, and Pixar

Abraham Lincoln: Vampire Hunter

I hate to use the same reference twice, but the situation calls for it. So, it has come to this. As if “The Raven” wasn’t enough, a film about Abraham Lincoln hunting vampires is fully produced and coming to a theater near you. Before you ask, yes, it’s that Abraham Lincoln. Unfortunately, it’s not a coincidence that the titular character has the same name as the sixteenth president of these United States. This may lend credence to the popular theory that Douglas Adams is not actually dead, but has gone into seclusion with a magic typewriter which allows him to write the script of reality. Mr. Adams, if you’re out there, “Would it save you a lot of time if I just gave up and went mad now?”

Those of you who remember the brilliant but short-lived Showtime comedy “Party Down” might think the idea for “Vampire Hunter” arose from a joke in the episode “Taylor Stiltskin Sweet Sixteen.” Breckin Meyer wants to get Adam Scott back into acting by landing him the role of young Lincoln in a film in which Meyer’s character plays Edgar Allan Poe. The two steal an amulet from the Smithsonian, and, of course, fight vampires. As far as evidence, some Google searching shows claims that at one point, the Wikipedia page for the book on which the film is based said Seth Grahame-Smith did in fact get the idea from “Party Down.” It’s no longer there, and it’s Wikipedia, so who knows? Another question, “are we having fun yet?” No. No we are not.

I beg of you, do not see this movie, lest you lead us to such films as “George Washington: Werewolf,” “Anne Boelyn: Intergalactic Pilot,” and indeed, the end of the world. As if my pleas weren’t enough (I know how much you all love me), “AL: VH” currently sits at a 30 percent on the Tomatometer, and it’s gone down every time I’ve refreshed whilst writing this post.

Seeking a Friend for the End of the World

Speaking of the end of the world, Steve Carrell and Keira Knightley star in a genre bending comedy about just that. What we have here is not just a pre-apocalypse film (don’t see too many of those), but a comedy(ish) to boot. The official synopsis tells us this: “Set in a too-near future, the movie explores what people will do when humanity’s last days are at hand. As the respective journeys of Dodge and Penny converge, the two spark to each other and their outlooks – if not the world’s – brighten.” Before the end of their lives, Penny wants to see her family one last time and Dodge wants to find the one that got away. Is anyone taking bets that he ends up with Penny instead?

So far reviews are mixed. “Seeking a Friend for the End of the World” has earned a rating of 58 on the Tomatometer. Based on the trailer, (perhaps too) much of the film’s humor derives from the idea that certain people, like cops and T.G.I. Fridays employees, would not change their lives in any way if they knew the end of days was at hand. But with it’s star-studded (sort of) cast, which includes Adam Brody, Gillian Jacobs, Rob Corddry, Patton Oswalt, and Martin Sheen alongside stars Carell and Knightley, perhaps that number will spike and “End of the World” will surprise us all. I doubt it, but all this apocalypse talk and the mere existence of “Abraham Lincoln: Vampire Hunter” has me in a foul mood.

Brave

Pixar has set some lofty standards for itself, so although “Brave” currently sits at a 79 on the Tomatometer, I don’t entertain any fantasies about it being the studio’s best work. In fact, it might not even be the studio’s best work in a fantasy setting with a redheaded female lead. I’m talking about Shrek people. Well the first two Shreks. Anyway, let’s turn to the synopsis:

Merida is a skilled archer and impetuous daughter of King Fergus (Billy Connolly) and Queen Elinor (Emma Thompson). Determined to carve her own path in life, Merida defies an age-old custom sacred to the uproarious lords of the land: massive Lord MacGuffin (Kevin McKidd), surly Lord Macintosh (Craig Ferguson) and cantankerous Lord Dingwall (Robbie Coltrane). Merida’s actions inadvertently unleash chaos and fury in the kingdom, and when she turns to an eccentric old Witch (Julie Walters) for help, she is granted an ill-fated wish. The ensuing peril forces Merida to discover the meaning of true bravery in order to undo a beastly curse before it’s too late.

What I can surmise from the trailer is that the age old custom is marriage to the eldest son of one of those “uproarious lords,” and the ill-fated wish, ironically enough, is to “change her fate.” Come on now, Merida. Everyone knows you don’t say something that vague to a witch. That’s how we end up with things like “Abraham Lincoln: Vampire Hunter.” OK, OK, I’m done.

  

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Thursday night trailer: “The Conspirator”

Now that we know who “Abraham Lincoln Vampire Hunter” will be, Robert Redford‘s long-awaited all-star historical drama with some definite contemporary overtones, “The Conspirator,” finally has a trailer. Sorry, Honest Abe won’t be having any undead issues or anything in this one. He’ll just be dead.

I can’t really tell from this trailer whether to expect a crackling historical drama or a preachy liberal wank fest. Actually, I like preachy liberal wank fests, being a preachy liberal wanker myself, so we’ll see.

  

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“Carancho” meets Spiderman

I generally don’t like to do “first look” posts (the first still released from some putatively highly anticipated new flick). I only do two of these a day and, really, I just don’t give a flying whatever nearly all of the time. Stills are fine, but the ones they release early usually tell you next to nothing are nothing more than a way to try to ignite some buzz based on next to no information. However, I do post trailers extremely often if they’re interesting, even for movies I was barely aware of prior. They’re like stills, only 24 times a second. Today, because the trailer is genuinely enticing and I know at least some of you probably can’t wait to see Andrew Garfield as Spidey, I’ll do both.

First, of course, the trailer. In this case it’s for an Argentinian thriller which looks exciting and sexy — especially if you happen to be an ugly middle-aged guy. (H/t to Brian Clark at MovieLine.)

And now that Garfield/Spiderman picture — after the flip!

Read the rest of this entry »

  

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