Surprise! It’s the return of the end of week movie news dump.

I thought I’d shock everyone and do a post that’s not built around a trailer — there’ll be time enough for that on the weekend.

* Tom Cruise may or may not be many things, but I’ve never really thought of him as a rocker. Yet, that’s exactly what he will be in the promised film version of “Rock of Ages.” I’ve long had mixed feelings about Cruise as an actor — he can be very good in some things and disastrous in others — and I have mixed feelings about this project, too. To be specific, I like good movie musicals but strongly dislike eighties hair bands and what some of us used to call “corporate rock.”

On the other hand, Mike Fleming touts Anne Hathaway, who I have few or no mixed feelings about, as a possible costar. I wonder what she’d look like as a glam rocker…

anne_hathaway

* A star has been set — or at least gotten to the serious negotiation stage — for the long discussed “Jack the Giant Killer” coming from Bryan Singer and his old screenwriting cohort, Christopher McQuarrie, writes Mike Fleming. He’s that kid who was so great in 2002’s “About a Boy” grown-up into 20-something Nicolas Hoult. Hoult has also appeared on the UK “Skins” and will be turning up in the upcoming “Mad Max” reboot/sequel or whatever.

Mike Fleming, however, is not correct when he describes the tale as a “scary” variation on “Jack and the Beanstalk.” It’s an entirely different, far less commonly told, fairy tale. As Wikipedia tells us:

Jack the Giant Killer is a British fairy tale about a plucky Cornish lad who slays a number of giants during King Arthur’s reign. The tale is characterized by violence, gore, and blood-letting.

No wonder they’re making a movie of it.

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Gore v. chills at the box office

I keep reading that the studios are reducing their outputs and that we’ll be seeing fewer new movies, but there’s sure no sign of it lately as we have another complicated week where, at least in theory, anything can happen. Still, the prognosticators agree that the latest entry in the first and longest running franchise in the sub-genre of torture-heavy horror, “Saw VI,” will likely win the week for Lionsgate.

On the other hand, there is also a consensus that the low-violence yet entirely potent chills of “Paranormal Activity” will be cutting into the Saw-bucks some also. Obviously, there is some audience crossover but, just as obviously, the most jaded gore hounds may find it beyond tame. I’ve already noted online the start of an inevitable backlash. I doubt this reaction will have the same angry potency that afflicted “The Blair Witch Project” so many moons ago. In that case, Lionsgate’s attempt to persuade less-savvy audiences that it might actually be real probably backfired later on, as did the over-hype of some of the early write-ups.

This time, Paramount has been more cleverly circumspect than the “Blair Witch” marketers, simply making the case that the modest video-movie can really scare the bejesus out of an audience. I’m here to tell you it can, even though I feel sure that not a single person I saw it with was under any delusion that what we were watching was not staged. Still, you see the violence-loving fanboys complaining at certain sites. I mean, how can a movie be scary if it lets you imagine the worst of it? How is that ever going to work?

It’s probably pretty obvious by now, especially from my post just before this one, that I prefer the “Paranormal” approach and will be rooting for it but, despite the still growing excitement around the movie, it’s the definite underdog as “Saw VI” will be opening in 3,036 theaters, while it’s competitor will be expanding to a mere 1,900. However, the outstanding per-screen averages that the film has been nailing could compensate if some horror audiences find the prospect of yet another ultra-brutality fest less than ultra-appealing.

Though it’s yet another family-friendly CGI animated film, this one based on a property at least some of us remember from our childhoods, hopes are not all that astronomically high for the next film. Summit’s “Astro Boy” is based on the best known creation of Japan’s “God of Manga” Osamu Tezuka, who basically invented both manga and anime as we now know them and who created some of the best comic books for adults that I’ve ever read. Of course, you’d never know from the horrendously lame gag at the end of the trailer or the often ugly CGI animation that ruins the beautiful 2-D (black and white, too!) of the early Tezuka cartoons as scene in the trailer. This appears to be another case of a studio adapting a property and missing what made the original work.

astro_boy_movie_image

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