Here’s a teaser video to get you ready for the upcoming 4th season of “True Blood.” We’ll be covering it as usual on our “True Blood” blog, and if you’re too impatient to wait you can check out some season 4 spoilers here.
I never thought a movie from Gore Verbinski would be one of my most anticipated movies of any year, but the the third really effective trailer in a row for “Rango” is having the effect I’m sure Nickelodeon and Paramount desires. The first movie I’m looking actively forward to in 2011 stars a lizard.
Of course, I’m a sucker for the western tropes, but it’s really the wonderfully detailed and engaging character designs and great site gags cooked up by screenwriter John Logan that’s selling me. I’m not saying it’s going to be Pixar quality, but it might be close. I also love the fact that this is also subtle propaganda to get kids ready for classic westerns.
First-time feature directors — especially when they’re essentially financing their films — tend to make low-key stories without much in the way of action. Often, they are offbeat romances or perhaps something about a bunch of guys in their teens or late twenties avoiding the responsibilities of adulthood. Directors who emerge from the world of commercials often wind-up making movies that rely on flashy visuals and employ the worst kind of ADHD editorial approach. To his everlasting credit, Patrick Hughes, a first-time self-financing feature director with a background in commercials, did none of those things in his first feature, “Red Hill,” an often violent suspense tale with elements of classic westerns, monster films, and a strong sense of its Australian heritage.
Its star, Ryan Kwanten, is by far best known as Jason Stackhouse of “True Blood,” an occasionally likable dim-bulb of a character who would pretty much be nothing if it weren’t for his athletic good looks and sexual prowess. But Kwanten as an actor is certainly no mere boy-toy, even if he remains a favorite of young female fans and looks about a decade younger than his actual age (he’ll be 34 later this month). As the rather archly named Shane Cooper, the earnest, violence-averse policeman hero of “Red Hill,” he must be believable dealing with the rampage of revenge waged by an Aboriginal escaped convict (Tommy Lewis) while protecting his loving and pregnant wife (Claire van der Boom), dealing with the barbs of his taskmaster of a new boss (Steve Bisley), and spending a good chunk of the movie marinating in his own blood and believably fighting on. If that isn’t proof that Kwanten is, you know, a real actor, his next non-“True Blood” role appears to be as Charles Manson.
I met with voluble writer-director Hughes and actor Kwanten – who, as befits this film’s low budget provenance, come across as remarkably down-to-earth in person – during a press day held at Strand Releasing’s east Culver City office. A short time later, Kwanten would be chatting telephonically for a solo interview with my colleague, Will Harris, who’d be concentrating on his career, definitely including “True Blood.” No prima dona, and you’ll see just what I mean by that later in the interview, he was fine with surrendering some of the spotlight to director Hughes, who kind of dominates the discussion during the first half of this interview. However, do not fear, Kwantenites: we do hear from the very talented actor starting just past this interview’s halfway point, as he discusses crucial matters of blood, guts, and pig poo.
Tags: Australia, Blood Simple, Charles Manson, Claire van der Boom, Coen Brothers, Deliverance, Frankenstein, George Miller, Headlines, High Noon, High Plains Drifter, Jason Stackhouse, Kevin Harrington, Patrick Hughes, Patrick Hughes interview, pig poo, Red Hill, Ryan Kwanten, Ryan Kwanten interview, Shane Cooper, Steve Bisley, Strand Releasing, The Chant of Jimmie Blacksmith, Tommy Lewis, True Blood, Two-Face, Will Harris
Today we’re going to start what I think might be an occasional series of posts where I highlight a movie news story about someone’s new job — which is probably about half the movie news stories (when people aren’t merely “mulling,” “eying” or “circling” new jobs) — and then provide you with a clip of past work I deem somehow relevant.
Okay, so the news here is that Steven Spielberg is returning to directing science fiction with “Robopocalypse,” an adaptation of Daniel H. Wilson’s recent novel written by “Buffy”-alum Drew Goddard (“Cloverfield,” the ever-delayed “The Cabin in the Woods”). Though I love science fiction, I’m much more a fan of Spielberg when he gets outside his old comfort zones on movies like “Munich,” “Catch Me If You Can,” even the sometimes-derided “Schindler’s List” and “The Terminal.” Still, apart from the just about perfect “Raiders of the Lost Ark” — which is more fantasy than science fiction anyhow — his best, though still flawed, SF movie has to be “Close Encounters of the Third Kind.”
Below, as Richard Dreyfuss and former French New Wave wunderkind François Truffaut look on, 1977’s cosmic equivalent to “Dueling Banjos.”
Tags: Buffy, Catch Me If You Can, Cloverfield, Drew Goddard, François Truffaut, Munich, Raiders of the Lost Ark, Richard Dreyfuss, Robopocalypse, Schindler's List, Steven Spielberg, The Cabin in the Woods
No promises we’ll have a Friday news dump this week, so you’d better enjoy this edition…
* Well, the big news tonight is most definitely the reorganization going over at the Warner Brothers megastudio. As far as I’m able to suss out, what this amounts to is a consolidation of power for CEO Jeff Bewkes. Reading Nikki Finke‘s current summary of the situation is a bit like reading a Television Without Pity post for a very complicated soap opera you’ve never seen, but Anne Thompson keeps it much, much simpler. On his way out exec Alan Horn is a good guy who Thompson believes was simply superfluous. Another case of a nice guy finishing last?
However, Nikki Finke does allude to a very crucial part of the Warners empire, and that’s DC Comics now being headed by the Warners minded and Finke approved Diane Nelson. As it happens, my deep, deep connections in the comics biz were e-mailing me news earlier today — which I was somewhat aware of but failed to properly cover earlier in the week — of an onging reorganization going on over there which certainly ties into the ongoing attempts at Warners to become more aggressive regarding comics adaptations along the lines of what Marvel Entertainment has been doing for some time — and also to try and avoid more flops like “Jonah Hex.”
There was even talk some talk of DC becoming entirely a West Coast operation, but that would be a major breach of publishing industry tradition with some actual problems involved and, in any case, thanks to FedEx and the ‘net, freelancers can live where they want now. Heidi MacDonald’s great comics blog The Beat has been covering this end of the story and you read about some of what’s going on here.
Tags: Aaron Sorkin, Alan Horn, Alfred Hitchcock, Anne Thompson, Black Widow, Clint Eastwood, Clyde Tolson, Cornell Woolrich, DC Comics, Diane Nelson, Disturbia, Dustin Lance Black, Goodfellas, Headlines, Heidi MacDonald, J. Edgar Hoover, Jeff Bewkes, Jeremy Renner, Joaquin Phoenix, John Gotti, John Michael Hayes, Leonardo DiCaprio, Martin Scorsese, Nicolas Pilleggi, Nikki Finke, Paul Thomas Anderson, Phillip Seymour Hoffman, Rear Window, Scarlett Johansson, Scientology, Shia LaBeouf, The Master, The Social Network, True Blood, Warner Brothers