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“The Hangover Part III” mess

The Hangover Part III

The reviews for “The Hangover Part III” are not good. Jason Zingale doesn’t pull any punches:

“The Hangover Part III” is a really bad movie (like, worst film of the year bad) – a joyless and humorless cash-in that bears little resemblance to the 2009 original except by name. Say what you will about the first sequel, but at least that one actually felt like a “Hangover” movie. I’m still not even sure if “Part III” is supposed to be a comedy, but the shocking lack of laughter would suggest otherwise.

Most critics have hated it, though the user ratings on Rotten Tomatoes are surprisingly high.

Meanwhile, here’s an interview with Bradley Cooper that is very uncomfortable. I understand what the writer was doing, but his approach seemed a little harsh to me. Is it really such a crime that Cooper sticks it out for the third installment of a movie that did so much for him? Why not hit the writer and director instead?

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10 Reasons to See ‘Warm Bodies’

Just yesterday, I had the pleasure of being dragged to a showing of the relatively new theatrical release, “Warm Bodies.”

And by dragged, I mean not dragged at all, entirely willing, and despondently hopeful.

However, it was totally worth it. The movie, although seemingly bizarre and easily misjudged as campy and corny, is actually quite clever and original. Except if you’ve ever seen the lost 80s movie, “My Boyfriend’s Back,” in which case Warm Bodies just seems like a victorious copy-cat of a lackluster romantic comedy about a corpse.  A romantic zomedy, if you will.

Because I don’t like writing reviews, I have compiled a list of 10 reasons to go see this movie right now. However, if you live in the New England area you should probably wait till Sunday, as there is snow and stuff.

1)   John Malkovich is in it

2)   Every joke that you want them to make, but you are afraid they won’t because then they’d be poking fun at themselves, they do.

3)   My friend *Debby is convinced there will be a zombie apocalypse. If such is the case, this movie will help us prepare, as well as advise us on its defeat.

4)   Analiegh Tipton is both adorable and hilarious.

5)   You know you’ve always wanted to see a pretty girl and a zombie make out.

6)   What do zombies think about? We no longer have to wonder.

7)   Here we learn what happens when zombies progress from plain zombie, to MEGA ZOMBIE.

8)   John Malkovich is in it.

9)   How many zombies does it take to screw in a light bulb? No just kidding. That’s not a thing. However, you do find out why zombies eat people and what their favorite part of eating the brain is. Useful information.

10)   It is not “Twilight” and Kristen Stewart is not in it.

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Hidden Netflix Gems – Goon

Hidden Netflix Gems is a new feature designed to help readers answer that burning question, “What should I watch tonight?” It will be updated every Saturday before the sun goes down.

I am not particularly interested in professional sports, generally ignoring all games except the occasional Olympics or Super Bowl viewing, but every year or so there is a sports movie that comes along and deeply and unexpectedly resonates with me. Four years ago, there was Darren Aronofsky‘s The Wrestler, a beautiful, heartbreaking film that was easily among my favorite films of 2008; the following year, there was Big Fan, written and directed by The Wrestler writer, Robert D. Siegel. This year, the unexpected sports movie that finds a place in my heart is Michael Dowse‘s Goon, a movie about hockey that mostly ignores the game itself in favor of the fights that so often break out on the ice.

Seann William Scott delivers his best performance yet as Doug Glatt, a sweet, lovable Canadian bar bouncer who is troubled by the fact that he doesn’t have a “thing” that defines him. His father (Eugene Levy) and brother, Ira (David Paetkau), are both doctors, and his best friend, Pat (Jay Baruchel, who co-wrote the film with frequent Seth Rogen collaborator Evan Goldberg), has a public access show about hockey, but Doug feels aimless, searching for his life’s real purpose. That changes one night at a hockey game, when he knocks out a player who climbs into the stands to beat up Pat, who has instigated the fight by being his usual loudmouth self. The fight in the stands garners more attention and applause than the game itself, and Doug soon finds himself recruited as an enforcer for a local minor league hockey team.

As an enforcer, Doug’s job is to injure successful players from other teams, as well as to protect his own teammates by beating up the other teams’ enforcers. It is the sense of being a protector of his team that resonates with Doug and makes him feel like he’s found his calling. It also helps him to earn the love of Eva (Alison Pill), a woman he meets one night in a bar when he knocks out an obnoxious drunk who is hitting on her, and the friendship of his team’s star player, Xavier LaFlamme (Marc-Andre Grondin). Ultimately, though, what the film is building to is a showdown between Doug and his idol, Ross “The Boss” Rhea (Liev Schreiber), a brutal enforcer from the majors who has been demoted for his unsportsmanlike conduct. Though Goon follows the expected beats of a classic sports movie, its formulaic nature does not detract from its quality, and by the time Doug “The Thug” Glatt inevitably faces off against his rival, Scott’s charismatic performance and the film’s surprising likability should have even the most ambivalent viewer ready to cheer.

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Hidden Netflix Gems – Everything Must Go

Hidden Netflix Gems is a new feature designed to help readers answer that burning question, “What should I watch tonight?” It will be updated every Saturday before the sun goes down.

Hollywood has a rich history of well-known comic actors taking on more serious and weighty roles, from Robin Williams to Ben Stiller to Jim Carrey, and now Will Ferrell, in what is probably his very best performance to date. Everything Must Go bears a strong resemblance to Stiller’s work in Noah Baumbach‘s Greenberg, or Adam Sandler‘s in Paul Thomas Anderson‘s Punch-Drunk Love, in its portrayal of a flawed but basically good-hearted man going through difficult times and coming out better for it. The difference between Ferrell and Sandler, of course, is that Ferrell’s comedies generally don’t suck.

Ferrell plays Nick Halsey, an alcoholic who loses his job at the beginning of the film and, after an ill-advised revenge against his boss, Gary (Glenn Howerton), returns home to discover that his wife has left him. Not only that, she has locked him out of the house, frozen their joint bank account, and left all of his possessions out on the front lawn. Nick is understandably upset, and reacts in the defeated way that has apparently become his life’s standard recourse: he buys a lot of beer and camps out in his La-Z-Boy on the lawn for the night. In the morning, having exhausted his beer supply and unable to find his car keys, he borrows a bicycle from his twelve-year-old neighbor, Kenny Loftus (Christopher Jordan Wallace), and heads down to the convenience store for more beer while Kenny keeps an eye on his stuff.

Nick also befriends his new neighbor, Samantha (Rebecca Hall), a beautiful young photographer who has just moved by herself from New York, where her husband is wrapping things up at his company, planning to join her in Arizona as soon as possible. There are hints that their marriage is on the rocks, as when she tells Nick early on that her husband wants to name their unborn baby (with whom she is currently pregnant) Jack, after himself, a practice she thinks is “kind of ridiculous.” I found this especially ironic knowing that the excellent young actor who plays Kenny is in fact the son of the other Christopher Wallace, best known as The Notorious B.I.G. We also meet Nick’s friend and former Alcoholics Anonymous sponsor, Frank Garcia (Michael Pena), when he rescues Nick from arrest by virtue of the fact that Frank is himself a higher-ranking officer than the ones sent to Nick’s house on a complaint from his neighbors.

Frank allows Nick to remain living on his lawn for the next few days under the pretense that he is holding a yard sale; after that, if Nick can’t get himself together, Frank will have no choice but to take him to jail. Clearly, this is not a plot-driven film, but that is not to say it isn’t a very well-structured one; the yard sale provides the forward thrust for Nick’s attempt to get his life back on track, and subtle details pay off in unexpected ways throughout. It is to the great credit of first-time writer-director Dan Rush that the film never takes the easy or expected routes, and it also takes its time in developing its characters and their relationships, all of which are nuanced and believable. The approach is well-suited to the author of its source material, the great Raymond Carver, and the film finds a perfect balance between poignancy and humor, both of which are equally effective when employed.

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Hidden Netflix Gems – Southland Tales

Hidden Netflix Gems is a new feature designed to help readers answer that burning question, “What should I watch tonight?” It will be updated every Saturday before the sun goes down.

Most viewers, even those who eventually became its biggest fans, initially found Richard Kelly‘s debut feature, Donnie Darko, to be strange, convoluted and challenging to fully comprehend on a single viewing. However, compared to his 2006 follow-up, Southland Tales, Darko now seems like Where’s Waldo? Perhaps the absolute craziest film ever made, Southland Tales is a wild ride through pre-apocalyptic paranoia, fevered hallucinations and madness that really defies any kind of classification. It is pulpy, surreal, funny, political and, above all, very weird. I won’t try to convince anyone that this film is a success, per se, but its wild ambition and complete originality make it well worth a look.

Southland Tales takes place in a near-future alternate reality, after nuclear attacks taking place on the fourth of July, 2005, have begun World War III. Post-9/11-style paranoia abounds, and the world is in a far-reaching energy crisis, which the wealthy Baron Von Westphalen (Wallace Shawn) is attempting to alleviate with his new energy generator, Fluid Karma, which uses the ocean’s currents as a power source. The only problem with Fluid Karma is that it is altering these currents, causing the earth to slow its rotation, and ripping holes in the space-time continuum. This space-time rift seems to be particularly felt in the criss-crossed destinies of the film’s main characters: Boxer Santaros, aka Jericho Cane (Dwayne Johnson), an amnesiac action star who may have become the main character of his own screenplay; Krysta Now (Sarah Michelle Gellar), a porn star and social activist who co-wrote the screenplay with Boxer; and Roland Taverner (Seann William Scott), a cop who may or may not also be his own twin brother, Ronald.

Does that all make sense? Obviously, not even close, and believe me, there’s much, much more going on in Southland Tales, including but not limited to: a brilliantly strange musical interlude featuring Justin Timberlake in a blood-soaked T-shirt; a neo-Marxist conspiracy involving no fewer than four former Saturday Night Live cast members (Jon Lovitz, Nora Dunn, Cheri Oteri and Amy Poehler); and, of course, that screenplay written by Boxer and Krysta, which may or may not foretell the end of the world as we know it. For good measure, the film also features Kevin Smith as a mad scientist and Christopher Lambert as an illegal arms dealer who sells his wares out of an ice cream truck, as well as hilarious philosophical dialogue like “Teen horniness is not a crime,” and “Pimps don’t commit suicide.” Southland Tales is gloriously chaotic and incoherent, similar to being plunged headfirst into the fever dream of a stoned pop-culture addict. It doesn’t completely make sense, even after multiple viewings, but it is an endlessly fascinating mess.

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