The best show on television returns tomorrow night at 10 PM on AMC. If you’re a fan of the show, enjoy the video above and all the links in this post as you get ready for the start of season 4. If you haven’t been watching, well you’re missing out. You can start watching tomorrow night, but you’re better of setting your DVR to record the first season, and getting your hands on the first three seasons.
Is “Breaking Bad” the best show ever on cable TV? Grantland’s Chuck Klosterman thinks so, arguing that it beats out other greats like “The Wire,” “The Sopranos” and “Mad Men.” It’s hard to argue with his top four, though his column gets a little too deep into criticspeak for my taste. I’ll probably stick with “The Wire” as the best show ever on cable, but “Breaking Bad” is catching up with each season.
Breaking Bad is the kind of TV show that gets described as cinematic, and that’s true in the literal sense: it looks like a movie. The astonishing landscape of New Mexico gives the show a western-film starkness and scale. “When you’re here,” says cinematographer Michael Slovis, “you can’t help but be affected by the size of the sky.” The sets are painstakingly built, especially the superlab: a temple of gleaming metal tanks, painted infernal red, that production designer Mark Freeborn built with the aid of a Drug Enforcement Administration consultant. The lab, Cranston says, is a metaphor for Walt’s compartmentalized worldview: “It’s clean. It’s isolated. He doesn’t like being reminded that he’s part of a messy, bloody business.”
Last year in Time, James Poniewozik offered a nice recap of the last episode and the relationship between Walt and Jesse. Newsweek also gets in on the discussion with some great quotes from Bryan Cranston.
Spoiler Alert – Don’t read more if you don’t want to know what happened on Game of Thrones!
If you haven’t been watching “Game of Thrones” on HBO, you should be watching it (get caught up with On Demand). With Episode 9, viewers were jolted with a plot twist that nobody saw coming, and Jeff Morgan thinks that’s a good thing:
That’s not to say his death was not sad. It was. It still is. There is a small pit in the part of my heart that loves a righteous character, but the shows that have given me such a visceral response are few and far between. I’m actually grateful to HBO for committing to a world that I can both love and fear and characters that I can both love and fear for. Ned Stark isn’t the only one to whom I would be sad to say goodbye. Arya, Jon, Robb, Drogo (despite his few lines), and even Jaime are all compelling enough that I want to keep them around. People are already calling down an Emmy for Peter Dinklage and his portrayal of Tyrion Lannister.
If I can take anything away from last week’s episode of “Game of Thrones,” it’s that more of television should be so gripping. If you were shocked, keep watching. If the death bummed you out, keep watching. If you’re upset, keep watching. Enjoy those feelings. Let them tie you to the rest of the characters. You won’t get the chance to experience a story like this very often.
I was shocked by the death of Ned Stark. He’s the kind of character you can build an entire series around, let alone one season. The series is loaded with great characters and performances, but you have to wonder as to who will emerge as the face of the series. The season finale is this Sunday night on HBO.
“How Bruce Lee Changed the World” originally aired on the History Channel, and it’s a great documentary for Bruce Lee fans. It tracks his short life until his mysterious death at the age of 32, just months before the release of his only U.S. film – “Enter the Dragon.” The documentary features interviews with some of the many people he influenced – from Jackie Chan to John Woo, Brett Ratner, LL Cool J, and Stan Lee. It also features seldom-seen interviews with Bruce Lee as he discusses his craft. Check it out!
Illustration by Brian Smith, Copyright Bullz-Eye.com, LLC
I was looking forward to seeing “Brüno.” “Borat” was hilarious, and the scenes released by the studio for “Brüno” were funny. Unfortunately, the film fell a little flat. Some scenes were funny, but most were not, and too many of the scenes seemed staged this time around. I just started using Twitter so I sent out a note (I hate the word “Tweet”) about the film. Apparently I wasn’t the only one.
In the old days — like, until yesterday — movie studios judged the success of their big pictures by how much they grossed on the opening weekend. But in the age of Twitter, electronic word-of-mouth is immediate, as early moviegoers tweet their opinions on a film to millions of “followers.” Instant-messaging can make or break a film within 24 hours. Friday is the new weekend.
That appears to be the lesson from the studio estimates issued on July 13 for the weekend box office. Brüno, the Sacha Baron Cohen docu-comedy in which an Austrian fashion journalist shoves his flamboyant gayness in the faces and other body parts of unsuspecting Americans, won the weekend with $30.4 million, a bit above most industry expectations for an R-rated provocation whose star was unknown to the mass audience until his Borat became a surprise hit in 2006, earning more than $260 million at theaters worldwide on an $18 million budget. Yet Brüno’s box-office decline from Friday to Saturday indicates that the film’s brand of outrage was not the sort to please most moviegoers — and that their tut-tutting got around fast. Brüno could be the first movie defeated by the Twitter effect.