Weekend box office: “The Expendables” hold their ground, otherwise things pretty much “Suck”

Sylvester Stallone in I guess all Americans should all be grateful to the very patriotic Sylvester Stallone and company for “The Expendables” for being #1 at the U.S. box office, even with a not-terribly leggy performance of $16.5 million in week 2, a 53% drop. That’s because him and his studly posse turned out to be only standing between us and the spectacle of “Vampires Suck” being the #1 movie in the U.S. of A.

Yes, I know I never have, and probably never will, see more than a minute or two of the parody. However, a very tiny minority of films and filmmakers are so bad and so devoid of even the minimum level of dramatic/comedic acumen that a minute or two is really all you need to see and, from its titles to its sub-idiot-mentality trailer, this is one of those rare films, unless my cine-spider senses totally have failed me.

Yet, the PG-13 “Twilight Saga” spoof, so rated because, if you’re over 13, you should be too old to find anything in its trailer remotely funny, did far better than it surely deserved. It seems the Twi-hards really wanted a spoof movie to call their own, so many went and the film earned an estimated $12.2 million, just barely edging out the roughly $12 million second weekend of “Eat, Pray, Love.” Somebody really blew an opportunity a few years back to rush a quickie adaptation of the Harvard Lampoon’s legendary “Bored of the Rings.”

Overall, thisĀ  weekend should be familiar to we Democrats in that it was a real circular firing squad, with too many new movies competing for attention and, I suspect, sort of canceling each other out. Nobody really did that well though some did better than you might assume.

The so-called “urban demos” appeared to turn out for the comedy “Lottery Ticket” which netted an estimated $11.1 million. Not at all bad considering it’s thrifty $17 million budget.

Lottery Ticket

As for nerd male demos, “Piranha 3D” fell squarely into an amount I’m going to just go ahead and name the “geek zone” with an estimated $10 million despite the boost from 3D ticket prices. Despite lots of gore, I’m guessing the movie just didn’t seem scary enough for today’s trauma-loving hardcore horror fans and naked breasts are available in many venues these days. Even so, since that movie cost $24 million, extremely modest especially considering the amount of effects involved, I wouldn’t rule out an even lower budget “Piranha 4D” or something. That might have been a disappointing number, nevertheless, but it still managed to beat two films some analysts apparently expected to do significantly better, the family comedy “Nanny McPhee Returns” and the relationship comedy, “The Switch.”

I’m running short on time this week and there’s a lot more interesting stuff going on. So, I’ll simply refer you the source for my numbers this and most weeks, the mighty Box Office Mojo weekly chart. Also, on the arthouse side, there was good news for the outstanding documentary “The Tillman Story” and liked-by-everyone-but-me folk tale “Get Low,” among many other interesting tidbits. For that, as always, I refer you to Indiewire’s detailed coverage.

  

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