 The conflict between Hearst and the rest of the camp continues to grow – this week he has the cojones to fire a few shots across Alma’s bow as she heads to bank. Of course, he didn’t take the shots himself – he wouldn’t get his hands that dirty. I was impressed by Al’s leap from his balcony when he rushed to the widow’s aid. Swearenegen’s method of comfort turned into one of the best lines of the episode: “It’s horrible being shot at. It never gets no better.” Bullock was in parts unknown, so it was up to Al to decipher the meaning of the shooting. Brilliantly, he had Dan knock out and tie up Ellsworth before telling him of the incident, so that he wouldn’t fly off the handle and rush Hearst. It’s clear that Hearst wants to divide and conquer, and with Bullock out of town he saw an opportunity to knock Ellsworth out of the picture. Al, with help from Dan and Alma, managed to rein him in. Al is going to need all the help he can find if he hopes to hold onto the camp, so it’s in his best interests to keep Ellsworth alive. After the Earp brothers arrived, I thought we might see the familiar story of Wyatt taking over as sheriff (presumably after Hearst takes out Bullock) when all he wants to do is be a private citizen. Their subsequent departure leads me to believe that Bullock will survive at least until the end of the season. Considering that the tension between he and Hearst has reached its boiling point, I don’t know how both of them get out of camp alive. Considering that, in real life, Hearst goes on to be a U.S. Senator, the odds aren’t in Bullock’s favor. The show continues to spend far too much time with the theater troupe. Jack is an interesting character, but his dealings with a couple of starlets were confusing and disorientating. Clearly, he and this Mary woman have a history, but he chooses to allow another aspiring performer to stay in the theater, much to the dismay of one of his fellow performers (and, of course, to Mary). Jack has worked his way into Hearst’s favor with his ability to relieve back pain, so he should have the opportunity to take Hearst down if he so chooses. I don’t know where the troupe storyline is headed, but I hope creator David Milch has something good up his sleeve. Joanie and Jane have been growing closer over the past few weeks, and their relationship is starting to head a sexual direction. Jane continues to struggle with her alcoholism, which is a direct result of the blame she puts on herself for Wild Bill’s death. Joanie is a nurturer as well as a tortured soul, and clearly she finds Jane to be a kindred spirit. But it was Al who really shined in this episode, rushing to Alma’s aid, outwitting Hearst, and beating the snot out of Hearst’s messenger before slitting his throat. It’s been interesting to see Al and Bullock on the same side this season after being at odds for most of the series. Bullock’s return was somewhat uneventful. It was clear at dinner that he was fuming, but he didn’t go after Hearst so Charlie must have filled him in on Al’s take on the shooting. The camp needs reinforcements, but Al can’t afford to send Dan to get them. Silas convinces him to use Hawkeye, someone Al doesn’t trust, to bring the guns. This adds an element of uncertainty to this storyline, so I wouldn’t be surprised if support arrived at a very opportune time. There are only two episodes left – how will it end?
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You’re right — Al was the star tonight (and is most nights, for that matter). I too was impressed with his actions when Alma was under fire and, later, when he had her holed up in his office. We got to see a somewhat softer side from Al, only to have him reinforce that he’s as ruthless as they come by slitting that dude’s throat.
I was a bit disappointed that there wasn’t more action this week, though. This tension between Hearst and the rest of the camp has been building all season, and while it’s definitely coming to a head, it’s taking its sweet old time to do so. Watching a riled up Hearst spit in Farnum’s face — twice — because he couldn’t retaliate against Al was fantastic, but hopefully in these final two episodes, we’ll see the three big players (Al, Bullock and Hearst) settle their differences once and for all.
If there’s a theme in “Deadwood,” it’s that shit runs downhill. Hearst spits on EB and EB has been taking his frustration over his diminishing role in the camp out on poor Richardson, who is becoming one of my favorite characters on the show. I wouldn’t be surprised if EB does more harm to him before the series ends.
I thought this episode was excellent - the buildup has been slow but very effective. I think Milch will take the show out in style.
The only problem is milch along wiht the cast had no idea the show was not going to be continued since in December they alll thought all was right as rain and the show would continue. They are said to be turning the last season into 2 movies to complete the original idea that milch had in mind when writiing and pitching the show of 52 episodes.
I wason set of the last episode of this season as a guest and the crew and actors had no idea of the show not continuing and all said at rap, see ya next season so I hope they get a chance to finish the job, since all have done so well despite corporate HBO having it’s head up it’s arse again.
So everything will not be resolved? That blows.
I was under the impression that Milch and HBO went their separate ways, but that Milch knew it was coming before the season wrapped. If he didn’t, we might get an unresolved cliffhanger along the lines of “Farscape” (which Sci-Fi cancelled after the fact). “Farscape” was allowed to finish in the form of a four hour mini-series - let’s hope “Deadwood” gets the same treatment.